And bad mistakes...I've made a few...

At 25, I was watching the Grammys, and saw Lauryn Hill, who is as old as me, win five Grammy awards. And at 25, I was in the middle of naturopathic school. But for the first time, I felt like I was squandering my life. I literally sat up and asked out loud, much to the befuddlement of my friends, "God...what have I done with my life?"

Boy, I'm glad that my 25 year-old self can't see me now, let alone my 16 year-old self. I mean, here is a list of that young man's ambitions back in February of 1992:

1. Keep up a high morality code with integrity.
2. Ignore what the TV says.
3. Single-handedly redefine the genre and ideals of American literature by the use of short essays. In short, start a new era.
4. Make a couple of classic albums.
5. Be a teacher.
6. Be a researcher or doctor.
7. Become a new Socrates - as great a thinker as he was.
8. Live life deeply and lovingly.
9. Love.
10. Be religious.
11. Be me!

Yeah, I was one ambitious motherfucker, wasn't I? Needless to say, I've not made a single album, let alone a single song. I get drawn into TV far more than I would like. And bringing American literature (VERY loosely defined) into a new era was apparently not up to me, but the tech-savvy inventors of blogs. And Socrates? In college, I derided one of my friends for being down on herself because she wasn't as great a thinker as Dostoevsky was. Um...oops. So much for that. (At least I won't die from hemlock poisoning.)

But life happens. Laundry needs to be done. Someone needs to bring home the bacon. Mundaneness settles in. And also, goals change. But having said that, a strong, stoic core part of me maintains that there's still a LOT of living to do, and a LOT of ambitions yet to realize. Gotta keep moving.

Dinner at Eight - Rufus Wainwright

Rufus Wainwright is an acquired taste. His voice is nasal and anoretic (especially on his debut, where I don't recommend starting), and his musical tastes run pretty skew to popular music. Classical, opera, folk, and Tin Pan Alley are the founts from which his inspiration springs, and he has a slightly aloof, wry, and condescending way about him. His compositions (funny how that word came to mind before "songs") can be dry and subtle, often bereft of hooks, and only reward you after multiple listenings or upon being placed in an appropriate context. Or they can be sweepingly melodramatic, full of romantic and impressionistic flourishes that go down as easy as a bowl of the richest chocolate mousse - and leaving you feeling about as queasy afterward. Oh, and add in the fact that he is a gay man; this colors his writing considerably. (Can you imagine a straight songwriter name-dropping Bea Arthur? Or writing a song from the point of view of a young woman reminiscing about her first high school crush on a man?) Needless to say, he hasn't been gracing the top of the pop charts.

What he has done is make some of the most gorgeous, intelligent, moving music of the new century; even an authority as high as Elton John has branded him "the greatest songwriter on the planet. " Choosing my favorite Rufus song is no easy task. There's an awful lot of gold, particularly from Poses and the two Want albums. But "Dinner at Eight" (from Want One) stands above the rest. This love song to his father ironically resonates with anger and bitterness throughout, and exemplifies the brutally personal turned universal.

Rufus's family (father Loudon III, sister Martha, deceased mother Kate McGarrigle, aunt Anna McGarrigle) is an immensely talented group of folk musicians. In fact, when Loudon first happened on the scene in the early 1970s, he was branded with that dreaded "new Bob Dylan" title that no one could live up to. Despite that, Loudon - and the rest of the family, really - is no stranger to critical acclaim, even if they haven't achieved widespread popularity.

They are also just as flawed as humans can be and they air out their familial trials, tribulations, and secrets in their music with a willingness that makes the listener sometimes feel exploitative. (See Loudon's tribute to his then breast-feeding son, "Rufus is a Tit Man." See also Martha's paean to her dad, "B.M.F.A." It stands for "bloody mother fu..." uh, yeah, you got it.) "Dinner at Eight" fits right in here...and although I don't know the Wainwright/McGarrigle canon like I suspect I should, I bet this song sits near the top of the heap of these expositions.

From a musical standpoint, "Dinner at Eight" does away with the typical opulence, and begins with a quiet, stately piano arpeggio that belies the drama directly ahead. "No matter how strong," Rufus warns his dad, "I'm gonna take you down with one little stone. I'm gonna break you down and see what you're worth...what you're really worth to me." As an orchestra quietly builds behind him, he recalls an argument between he and his dad one night; it's easy to imagine it might have been a battle of egos between the well-established father and the rising star son.

But just as soon as it seems Rufus turns away from the argument, dismissing his part in it, he suddenly stops and stands his ground. "Why is it so...that I've always been the one who must go? That I've always been the one told to flee? When in fact you were the one...in the drifting white snow who left me?" Bitter accusations were seldom so poetically put. Cue a weeping harp mimicking the snow falling, and you now have Rufus's mom, Kate, weeping herself, out of the anguish of knowing such a strained relationship existed between two men she loved so much.

Suddenly, the music swells, and with it, Rufus's righteous anger. "So put up your fists, and I'll put up mine. No running away from the scene of the crime." It's the moment of reckoning for his father. Reconciliation and peace, or a lifetime filled with resentment and anger. Either way, it's his dad's choice. "God's chosen a place somewhere near the end of the world, somewhere near the end of our lives. But till then, Daddy, don't be surprised if I want to see the tears in your eyes." Rufus is asking for an apology, an admission of guilt, for the hard facade to break down just once. "Then I'll know...you loved me." Just that much. But you get the sense that Rufus doubts it, as he repeats the beginning of the song, re-establishing his defiant stance against his father.

"Dinner at Eight," for all its beauty, is achingly uncomfortable, and Rufus does his best to heighten the tension. The music ebbs and flows with emotion, with little regard to a regular beat, and creeps to a near-standstill, tellingly, as he sings "in the drifting white snow, you left me." A slow, painful death trumps a quick one any day, and Rufus is going to make damned well and sure his dad knows how much it hurt feeling abandoned.

So, yeah. Wrenches your heart out, this song does. But in the most beautiful manner. Well worth a listen.

Good God, North Carolina...

Really? What the everloving fuck?

The language of Amendment One in North Carolina, passed today: "Marriage between one man and one woman is the only domestic legal union that shall be valid or recognized in this State.” Hmm...think about that. A "domestic legal union." This basically means that not only would same-sex gay & lesbian unions would not be legal, but any sort of common law living arrangements (and the benefits appertaining thereto) would also not be legal. Never mind that there is already a law banning same-sex marriages. The fucktards in NC decided that wasn't enough. Now, this law pretty much undermines some domestic violence protection, screws with child custody issues, and - yes, that most visible of rights - curtails hospital visitation privileges. Way to preserve the sanctity of good old-fashioned one man-one woman Christian marriage (because of course, there's only one kind, right?) and ensure the stability of society.

Of course, the fact that many people didn't understand what they were voting for didn't help matters, either. Gotta love those informed voters.

About five years ago, I attended a cousin's wedding in Fayetteville. The minister, douchenozzle that he was, saw fit to insert some political comment during the blessing about how a marriage should only be between a man and a woman. Were I not surrounded by loving and supportive family (and loving and supportive of my cousin's marriage myself), I would have stood up and stomped out of that church posthaste. As loudly and obtrusively as possible. Just infuriated me.

Now, because I can be a cruel-hearted and vindictive bitch, if I lived in North Carolina, and were a law enforcement official of some sort, I would gleefully enforce this law to its fullest extent, making damn well and sure that those who voted for it and failed to understand its ramifications would be punished to the fullest extent of the law for their ignorance. Of course, for those who voted against it, I'd feel pretty heavy-hearted and frustratingly duty-bound to follow through with state-mandated responsibility, dragging my feet the entire way.

The requisite disclaimer: I have plenty of family and a few friends who hail from North Carolina (see above). With a possible exception (and even then, I kinda doubt...), I know for a fact all of them would have voted against this hateful amendment. A few of them even went out of their way to campaign against it, which I'm grateful for. So I can't make a blanket statement on how all North Carolinians are ignent and hateful.

Still...way to go, North Carolina. Congratulations on becoming this nation's newest hate state. (Said with mockery from another erstwhile hate state...which incidentally, at this very hour, is coming awfully close to making civil unions legal.)

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UPDATE: Check that. Apparently, when you have a Republican-controlled House, they see fit to filibuster this bill until the midnight deadline, and you don't have room to gloat. Once again, on the wrong side of history.)

Lambada - Kaoma

Back in the summer of 1989, I spent three weeks on the hot southern coast of France with a bunch of German peers under the guise of learning French immersion-style. Thankfully, it wasn't terribly cerebral. Yeah, classes in the morning, but the afternoons were filled with juicy peaches and Orangina bought from roadside markets, trips to the beach, crepes from a beachside stand, and nights out on the town with friends. And sweet, sweet freedom, thousands of miles away from parental control! I also got exposed to this fun, cheesy song and video, which spearheaded a tiny, short-lived fad. The lambada was the international equivalent of dirty dancing, and that video was EVERYWHERE, mainly because Kaoma was a French band. Even so, "Lambada" would have forever disappeared from my tiny brain were it not for a certain recent single by JLo: "On The Floor." Glad those memories turned back up again.

Darling, being gay is the best excuse you'll ever have not to be boring!

So says Eddy from Absolutely Fabulous: one of my favorite shows of all time. BUT.

(whining alert)

Man, I'm so not into being gay lately. At least my recent experience of it. Where do I start?

Shows like the deceased and not-at-all-mourned The A-List (both New York and Dallas versions) and the still-afflicting-us 1 girl 5 gays just annoy the everloving crap outta me. The A-List had no redeeming qualities whatsoever. The producers, I assume, thought it would be such a great idea to put the bitchiest, supposedly A-list gays in close proximity to each other, force them to flirt shamelessly and do all they could to wreck relationships, friendships, and reputations. Including their own. I've seldom felt so good about being a non A-lister. But I also felt sick to my stomach watching this...is this the image we're putting out to society? Help us all. At least 1 girl 5 gays has the excuse of catering to teens and the twentysomething crowd. And if I were that age, I would be really gaga over the show. Still, it's kinda creepy, looking in on 5 gaybies (recycled at random from probably around 40 or so) and their resident hag (far too pretty for such a derogatory-sounding term). These guys pass judgment on each other, laugh with each other, share some deep secrets (and many, many more not-so-deep secrets), and talk about their sex lives outside of the show. Said sex lives include fellow cast members, so it feels incestuous. To be sure, they all look and act friendly enough, but really, what I can't abide is yet ANOTHER discussion of how people don't care enough about Madonna or Gaga, what actor you would do, what you were thinking when you were finishing your last hookup, and (I wish I were making this up) drawing what your parents look like naked. I think I'm just getting too old for this.

Also? Alcohol. It has its place, and right now, with a few exceptions, that place is not near me. Not because of any run-ins with the law, mind you. I just don't like the way I feel when I imbibe, and do whatever I can to make sure that any after-effects are mitigated as much as possible. It's become especially noticeable since I've begun working out, seeing results, and doing what I can to make sure I see more results.

Along the lines of alcohol comes the social scene. Okay, alcohol's good for that. I tend to come out of my shell once I get a few drinks down. Only problem is, I'm sometimes likely to spiral into sadness, or more likely, anger and resentment. And let me tell you, I am one evil, evil bitch when that happens. Friends often are surprised to find out that I have this mean streak in me, but it is true: I can be more bitter, scathing, and cruel - without any irony or dark humor to leaven it - than just about anyone I know. I don't get fiery. I become icy and numb. Don't cross me.

Oh yeah...back to the social scene. I joke to people nowadays that Mr. Man goes out and kicks up his pink sequined platforms with the fabulous crowd, while I stay at home, sip my chamomile tea and knit. Of course, this is relative to Mr. Man, who is far and away one of the most social people I've ever known. I tell people that I can be a lightbulb and light up a dark room, but I'm often next to the sun. And I HAAATE playing second fiddle to a guy who makes you feel as socially awkward as an autistic kid (though it is never intentional). (By the way, I just took an autism spectrum quotient quiz. My score: 30 out of 50. Above 32 indicates a likelihood of something along the autism spectrum. Apparently, I read people too well and am too sensitive to their expressions to qualify.)

The worst part? Let's combine all of the above and intensify it ten times. Travelling for gay parties that are all about sex, drugs, and rock 'n' roll - or in this case, sex, poppers, and techno - just drains me in all ways possible. If I need a week or two to recover from the lack of sleep and wild times, it just isn't worth it. Yes, you can make tons of friends at said parties, which is cool. But I've been to enough of 'em - Dallas, Chicago, and God help me, New Orleans - to last me for a few years. I have no desire to do a bear run or circuit party anytime in the near future. (Meanwhile, Mr. Man recently expressed a desire to go on a vacation somewhere. All he listed were said gatherings.)

Can we keep going? Please? TECHNO MUST DIE. I'm sick of it.

Incidentally, I realized today that on the occasion of Denver's Pridefest, I will find myself cruising at 35,000 feet, returning from a glorious vacation in Europe, and landing too late to participate. And I celebrated inside.

Ugh. Years ago, I came to the conclusion that the only requirement to declare myself gay was to admit that I was sexually attracted to men, and that was it. I didn't need to live any kind of lifestyle to prove how gay I was. It's good to be reminded of this. If this whole scene is what it means to be gay, then I resign. I have a different, better gay life to live.

Your nun foams with a freezing companion.

Glee, I'm done with you. Furreals now. Yeah, some of you who know my erstwhile fanaticism may question this, but the most recent episode (post-Karofsky coming out and Quinn's texting-while-driving accident) turned me off for all time. All the songs - and I do mean ALL of them - made me spit up in my mouth. Pure High School Musical. And the plots were all strict by-the-numbers after school special boilerplate. It actually made me feel sorry for all the actors...particularly Jane Lynch, whose talents are surely needed elsewhere by now. (Isn't there a Christopher Guest vehicle coming down the pike soon? Seems overdue by this point.) Also: Slash refuses to let any G&R songs on Glee. (Duh...like matter meeting antimatter.) Stick a fork in it, y'all...it's done.

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Pinterest. Yea, I have succumbed. As of a month ago, the interwebs reported that it was 90% driven by women. And ugh...the sheer number of feel-good quotes, comfort food recipes, and domestic designs substantiates this. Even the men's fashion on there is of the GQ ilk - assuming that all men are pretentious, quirky, urbane, somewhat muscly but wasp-waisted, and too hipsterish to care about reality. But I'm on there all the same...sensing that there's gotta be enough stuff on the world wide webiverse that isn't as touchy-feely as all this. Somewhere.

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Black Sabbath. I find it a travesty and a sin that none of their back catalog is available on mp3. Not even We Sold Our Soul For Rock 'n' Roll. Doesn't matter that Beavis & Butthead supplied my first exposure to them. Nor that Girl Talk gave me my second hit. I'm ready for them to hit me hard.

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Gardening. As part of our landscaping last summer, we got three good-sized garden plots. Didn't plant anything - thought it was too late - but hoo boy! did we get a bumper crop of weeds! Even some aspen saplings poked through the dirt. But planting for this summer has already begun, despite predictions for snow tonight. And I'm thrilled. I don't think we'll have enough room for my ambitions (60 gladiolus bulbs? AND other flower seeds alongside?), but it'll be fun trying it out. In the ground so far: strawberries, broccoli, and chard. Soon: cabbage, corn, the aforementioned gladioli, radishes, raspberries, dill, basil, and garlic. I'm KICKING myself for not getting spaghetti squash in there. But maybe there's room yet. I may not be able to devote much time to the garden, but there's something so cool about putting something in the ground, caring for it a bit, and knowing that within a few months, it'll give back to you in some amazing ways.
(Oh, and no tomatoes or lettuce for us...we're not fans.)

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Lime jello marshmallow cottage cheese surprise. After hearing the song about it, joking about it for years, and unwittingly causing countless friends to reminisce about Minnesota/family reunions/Mormon church dinners/stuff their grandmothers made and forced them to eat/what have you, I finally decided to make it. Seriously. And I ate it. And I...uh...actually liked it. I may make it again. (Without the pimentos or mayonnaise.)

FINALLY.

After Mondo was inexplicably denied his win against the odious Gretchen a few seasons back, I began losing interest and love for Project Runway. I seriously cannot fathom what the judges were thinking. I even publicly wrote "CRACK-SMOKING PROJECT RUNWAY JUDGES MUST DIE!" on Facebook that night, after seeing Mondo go down undeservedly in flames. Michael Kors and Nina Garcia were actually actively defending Gretchen's work. Who knew that Heidi would be the voice of reason? Needless to say, I was aghast, as was the whole crowd around me at Beauty Bar that night.

Side note: the next morning, I flew to Seattle for a seminar. Going through security, I saw a...uh...big-boned gal (in k.d. lang's letter-perfect terms) working TSA. She looked utterly uninterested in being at the airport at 6:00 in the morning. Until she say my Team Mondo t-shirt. Then she went ballistic, and vented mightily about how much Mondo was robbed. It was kinda cool to bond with her about it. One of those wink-wink-nudge-nudge-oh-you're-family! kind of moments.

PR has been steadily going downhill since then - and even before. Anya's win last season just about killed my interest for all time. The judges - or rather, the producers - ensured that an exotic woman from Trinidad and Tobago, who once created an amateur sex tape (I don't even think we can call it porn) and only learned how to sew six months prior to enrolling in PR, won over much more talented and deserving designers. (Paging Viktor Luna, please.) It was a story of a girl who rose from obscurity and a bit of ignominy and conquered the fashion world - even if only for her 15 minutes. How very Lifetime.

So a night like tonight was SO welcome! I'm certainly not the most fashionable of guys, nor am I knowledgeable in the sartorial arts, but to this inexperienced guy's eyes, Mondo's collection did actually look the most cohesive, consistent, and well-designed. But it was by a very slim margin. Austin's collection wasn't so unified, but damn, that wedding dress...utterly gorgeous. As was the dramatic evening gown. But there were just a few too many ennh moments for me to fully embrace it. Michael's collection was certainly nothing if not cohesive. But I think he let the prints dictate the collection a bit too much, unfortunately. Mondo, on the other hand, is an absolute master at commanding prints, instead of letting them command him. If that makes sense. He gets the most disparate ideas - ones that in a more inexperienced designer would produce ugly chaos - and creates the most amazing art out of them.

Still, the cynic in me (or perhaps the realist) has to say that Mondo's win was not 100% earned. Did he deserve it? I really do think so. Austin put up an incredible fight, though, and despite my cheering for the Denver darling, I would not have protested an Austin win. But everyone loves...well, in this case, not an underdog per se, but someone who was unfairly denied the title the first time around. The producers certainly had their $0.02, and to give Mondo the title brought the Lifetime story full circle.

Incidentally, lesson learned tonight from my excitement: do NOT post said excitement on Facebook. The stragglers will be PISSED at your unannounced spoiler. If I continue watching Project Runway (which, at this point, is a very dubious proposition), I will not be, *ahem*, everyone's spoliator. (Pretty savvy how I worked that in, right?)

This post brought to you by the fabulous amethyst and at least 1/2 of a cherry coke (that's 2 shots cherry vodka, 1 shot plain vodka, and a full can of caffeine-free Coke. Because it's late, I have a full day tomorrow, and cannot afford caffeine after 4 pm, let alone 9:30.)

It gets better, according to Glee.

This is the quintessential 2012 phenomenon: a blog post about Glee addressing the issue of bullying. And you were there.

As an full-on Dave Karofsky fan, I was kinda bummed to see Max Adler be shuffled off the Glee set last season. His quick cameo about four episodes ago, wherein he showed up at a gay bar dressed like his corny good ol' boy self, suddenly enlightened and happy because he now had an identity: he was a cub! The scene was glib and tied the loose ends way too neatly. I considered it a failed opportunity.

Then last week hit, and we saw Karofsky suddenly re-entering the picture as an actual gorilla (because subtlety never struck the Glee writers' minds), all ga-ga over Kurt. And again, I rolled my eyes. Not believable in the slightest. Doesn't matter that if I were in Kurt's place, I'd be awfully torn between the big lug and Mr. Johnny Angel Blaine. But my stomach tightened painfully when one of Karofsky's football teammates saw the two of 'em sitting at a restaurant together on VD, and called him out on it. It was all over the blogs the next day. A set up for a gay teen bullying suicide episode! And the commentariat rose up as one: the writers had better not fuck it up. Expectations were low, since Glee has been so wan this season.

Well, I'm thrilled to say that the "teen suicide episode" didn't suck. This episode was epic in its ambition. In its worst, most heavy-handed moments, Glee hits after-school-special territory. Not to say that this episode wasn't heavy-handed. But let's call a spade a spade: we are in the midst of a culture war, replete with taking sides, full-fledged attacks, and numerous injuries and casualties. Tonight, Glee fired a powerful salvo against those who maim and kill with hatred, intolerance, and homophobia. Since people who take this stance often don't think highly of Hollywood, the actual effects of this episode remain to be seen. But that it was shown on prime-time TV is astounding, and its message will resonate. (Keep in mind...it's only been 15 years since Ellen came out on her show, the first character to do so, and ABC had to place a parental warning at the beginning of that episode. Now, out gay characters are commonplace, even boring sometimes.)

So let's start off with what went right. This is Glee, so of course, you're gonna have the soundtrack to life's big moments. Including killing yourself, apparently. As tacky as that sounds, this moment was hit out of the park. Karofsky's fright upon seeing "FAG" spray-painted in pink on his football locker while his teammates looked on in derision was palpable, and played perfectly. The scene lasted long enough to make you squirm...and just sit in that for what felt like an eternity. Darren Criss singing his lungs out on "Cough Syrup" was a beautiful white boy teen angst moment courtesy of Coldplay channeled through Young the Giant. It provided a great foil to Karofsky's tears and anguish on seeing his Facebook page hijacked by classmates outing him and telling him to go back into the closet (which he ultimately did...to step on a chair and stick his neck through a noose made from his belt).

It was also really tough to see that Karofsky came up against rejection everywhere he went. His friends (assumedly all jocks) were his worst enemies. (Not much help that he was at a new school and probably had few friends there.) His best friend told him he never wanted to talk to him again. Kurt rejected him out of hand, then refused to answer his phone calls. And when he tried to hit on a guy during this episode, he was flatly dismissed because he happened to be overweight, and was even told to just stay in the closet. High school football linemen in Lima, Ohio can't run to their parents asking for help with this dilemma, because they will be told they have a disease that hopefully can be cured.

On the other hand, there's always the Hollywood risk that issues will be resolved in one neat, 30-minute episode, and life will go on. Here, everyone felt remorse, shock, all the appropriate emotions. Kurt went to the hospital to atone for the sin of turning Karofsky down when he asked him out, then not returning his (nine!) phone calls. But in the eyes of Glee, apparently all it takes to make yourself feel better after a suicide attempt is to click your heels three times, say "there's no place like the future," and imagine yourself there. Cue holding hands, smiling through tears, and pledges to be friends, and...scene. (I can't be totally cynical about it though...that scene did effectively wring a few tears from me. And yes, people in that scenario need all the help and hope they can get. But it should be a bit more realistic. Oh...except this is Glee. GAAAH!)

The "peanut butter" scene was also too trite and set the stage for the aforementioned tidy ending. Schu's admittance that he had also tried to commit suicide did have some merit: yeah, it was simply for being caught cheating on a test, but that was his weak point; everybody has one, and they should be respected.

And the music during sectionals? Not much really hit me, aside from the madrigal singers...I'm such a sucker for polyphony. Seriously. Also, I gotta give it up to Amber Riley for some great acting during "Stronger." I'm biased, but bitch can do no wrong in my eyes.

So...on to the next hot topic of 2012: teenage texting while driving! Again, wielded with the grace of an elephant attempting pliés.

In A Daydream - The Freddy Jones Band

While in college in the mid '90s, I was ensconced in my world of alternative rock, just as the term was losing its grip on being meaningful. Nirvana had changed the landscape for better and worse, effectively imploding pop culture and forcing it to start all over again. R.E.M. decided to become ironic noise rockers with varying degrees of success. Pearl Jam was defiantly following its muse down the rabbit path, willingly putting out music that would be sure not to achieve the commercial highs of its debut album. Live and Counting Crows had their moments, but man, talk about your flashes in the pan. And Stone Temple Pilots...well, the less said, the better. It was a rough time for popular music. And it mirrored my life at the time.

My younger brother, on the other hand, was enjoying his last few years with friends at home before shipping off to Boston for college. And his music reflected that as well. For him, the Dave Matthews Band was the big influence, along with all the music it spawned...Tom Cochrane, the Samples, Jackopierce, and a few years down the line, Hooter and the Blowtwads (uh...or something like that). With just a few exceptions, it all seemed so facile, shallow, and meaningless to me. Then again, I was striving for Significance, learning about the Nazi resistance and reading Nietzsche. While my brother was thriving and laying the groundwork for future success, I was busy killing myself with nihilistic existentialism. At the end of my first year of college, I couldn't think of a single thing I wanted to learn or experience. Fat lot of good that did me.

So when I went away to Russia a few years later for 6 months, my brother took it upon himself to make me a tape of some of his favorite music. I graciously accepted it, pretty sure I wouldn't listen to it much. And I really didn't. But one song stuck out, far above all others in that genre I'd knocked for years. It was mellow. It was simple. And it was utterly transcendent.

When I first heard "In A Daydream," I was immediately taken back to the powdery ski slopes of the back bowls of Vail (yeah, I was a rich kid). I imagined myself coasting along the outer boundaries of Sun Down Bowl, turning effortlessly down acres of champagne powder while sparkling diamond crystals floated down beneath an opalescent sky with the Mount of the Holy Cross in the distance. I heard and felt the wind whooshing past and the smooth hiss of the snow beneath my skis. And I immediately exulted in the type of joy that makes your skin nearly burst. It was the most delirious, fantastic freedom I'd known.

Years later, I was fighting the powers that be in chiropractic school, utterly hating life. At some point, I remembered this song and how it had made me feel, so I downloaded it and enjoyed a few minutes of respite from hell every now and again. It never failed to help me feel better.

Leaving Chicago for good was an experience I'll never forget. The night before I left, I had suddenly and unwittingly alienated about the last friend I had there. The next morning, while moving things out of the house, a wicker basket viciously slashed my hand, as if to remind me one last time how unwelcome I was in Chicago. But on that plane, ascending to 35,000 feet, I put this song on, and knew that I was coming home, for good. It felt, again, like sweet freedom. But the most amusing part of this happened an hour after I landed. My mom picked me up from the airport, and we immediately went to lunch at a fancy country club. And here, I heard a Muzak rendition of "In A Daydream" come quietly over the speakers. And I felt that I was finally home...both the home that I had with my man, and the home I had with my family. It was a Tuesday morning, and the lyrics could not have been more apropos: "Tuesday morning never looked so good."

Years later, I recognize how important it is to surround yourself with things that support you, that encourage you toward success, that help make life better. I've long since given up trying to delve into the deepest thoughts of the greatest thinkers, thinking that will somehow make me a better person. My experience taught me that it could be painful and tremendously destructive. I've decided that there are too many destructive forces in the world already; if life is to be fully lived, it's to be enjoyed as much as possible. And "In A Daydream" helped lay the groundwork for this view.

(Oh, and because life has a sense of humor, I should mention that the Freddy Jones Band is from Chicago.)

Simply: why Bally('s) sucks.

So, today: woke up to the 36th hour of nonstop snow falling in our fair city, slightly hoping I would hear my patients had cancelled before I left for my 25-mile commute. No such luck...but they did cancel before I got to work. So I turned around 5 miles shy, headed back north, and decided to stop in for a workout before breakfast. New place: the Bally Sport gym that just opened a month ago and replaced the more industrial-looking, smaller place a mile away. I walked through it a week ago just for fun, and it looked pretty damned nice. The music that was pumping was awesome too. I felt it could turn my mind away from ending my membership there and going to 24 Hour instead.

Today ended up being the big challenge for this place. The carpeted locker room area and wood-paneled lockers with new-fangled combo locks certainly pushed the upscale-posh-country club feel. Great new equipment, too. And I figured that since I had forgotten my headphones, I could depend on that awesome music to pull me through. But instead of adrenaline-pumping sounds, I got to get my hard-core, testosterone-fueled workout on with the help of those bone-crushing stalwarts, Coldplay, Train, and Selena.

Folks, this ain't the first time I've had to suffer the slings and arrows of shitty music while trying to unleash my inner monster. Daniel Powter (he of American Idol-closing-song "Bad Day" infamy) has shared in this. As have numerous guys bopping along to a beat that had made its way through at least one focus group. (One clueless dolt sang about how sad he was at losing his girlfriend with the feeling usually reserved for reading a grocery list out loud. Man card revoked.) You all know the type. This music well may have been why iPods were invented. And it is like kryptonite to my soul. So bad is this music, that I have threatened to leave Bally many times before. (Crappy, CRAPPY name, by the way...it begs to be called "Bally's," which isn't right.)

Compounding today's journey into workout hell were the television monitors around the weight area. People, I don't CARE that it's Saturday morning. I don't WANT to watch the Flintstones while doing squats! Nor do I want to watch the newest incarnation of Barney (the purple dinosaur, not Rubble), nor Spongebob Squarepants. I'm gonna take a guess and say that if you're a dad at a gym on a Saturday morning, this is precisely the drool-inspiring pap you wanted to get away from in the first place. And if you're not, you still want to avoid this stuff because...well, if you wanted to watch it, there's a couch a lot closer than this place, right? (For the record, the sole sports event on any television monitor was a basketball game on the exact opposite end of the gym, by the cardio equipment.)

Why, people of Bally? Why the everlovin' fuck? Are you trying to coddle the resolutionists until they finally give up of their own accord? Or are you trying to actively drive people out of the gym on their own? It's certainly working well for me. I swear, as God is my witness, I shall never enter another awkwardly-named Bally again without a set of trusty headphones again. Makes me actually want to build a home gym where I can blast as much Helmet, Black Sabbath, and Metallica as I want. And the TV monitor (if there is one) will show World's Strongest Man competitions. I'm not much for cardio machines or the circuit machines, for which some of that music seems ideal. Give me free weights, plain and simple. I became one of those meathead guys this past year who derives great joy from picking up heavy things and putting them back down again, cheerfully grunting all the while. Wish I'd discovered this years ago. But oh well, better late than never.

Bally, you are on notice. Again. GRR...