Yup, this will almost certainly be the last official post here. You wanna follow me? Check out Logophilia and Curmudgeonry - at least, that's the name I have for now. And if you come back, expect bumps and changes here and there. WordPress seems to have an ogival learning curve.
Witty final words fail me at this point, so I'll just head off into the sunset. So long, y'all.
A gleekzorp without a tornpee is like a quop without a fertsneet. Sort of.
Showing posts with label good good things. Show all posts
Showing posts with label good good things. Show all posts
Tuesday, October 28, 2014
Wednesday, June 11, 2014
"Vomiting is now also off the table. Neutralized it. We're good."
My newest hero is Shonda Rhimes. I first knew her as a contributor and spelling bee fanatic on the eclectic blog "A List of Things Thrown Five Minutes Ago." This was actually before I realized she was the writer for Grey's Anatomy. For those of you who actually know me, this progression makes complete sense.
Online commencement addresses, rife with inspiration and great messages for the future, are a burgeoning phenomenon nowadays, as Shonda acknowledges. But I don't know...Shonda just seems to take the commencement address to another level. I'd be curious to know the last time a commencement speaker (and alum) at Dartmouth used the words "poop," "vomit," and "asshole" so often in her speech. Or the last time any alum so publicly acknowledged lying on the floor of her dorm room the day after her graduation, paralyzed with anguish and crying while her mother packed her things for her. But at the same time, she's incredibly eloquent, and has that poise that sets people at ease immediately. Speaking on what looked like a perfect late spring day at Dartmouth certainly didn't hurt, either. And, of course, the Toastmaster in me counted the number of times she said "um"...and decided halfway through that it was an exercise in futility. None that I heard.
I guess what really made this speech one of my favorites ever was that she threw common wisdom out the window and on its head more than once. Don't dream? You can't do it all successfully? If you try to, you will inevitably be failing? Tomorrow will be the worst day ever? Homo say what?
Compelled? Good. Watch this. It's SO worth the 24 minutes.
Online commencement addresses, rife with inspiration and great messages for the future, are a burgeoning phenomenon nowadays, as Shonda acknowledges. But I don't know...Shonda just seems to take the commencement address to another level. I'd be curious to know the last time a commencement speaker (and alum) at Dartmouth used the words "poop," "vomit," and "asshole" so often in her speech. Or the last time any alum so publicly acknowledged lying on the floor of her dorm room the day after her graduation, paralyzed with anguish and crying while her mother packed her things for her. But at the same time, she's incredibly eloquent, and has that poise that sets people at ease immediately. Speaking on what looked like a perfect late spring day at Dartmouth certainly didn't hurt, either. And, of course, the Toastmaster in me counted the number of times she said "um"...and decided halfway through that it was an exercise in futility. None that I heard.
I guess what really made this speech one of my favorites ever was that she threw common wisdom out the window and on its head more than once. Don't dream? You can't do it all successfully? If you try to, you will inevitably be failing? Tomorrow will be the worst day ever? Homo say what?
Compelled? Good. Watch this. It's SO worth the 24 minutes.
Saturday, June 7, 2014
But sweetness follows.
Today, in a nutshell:
- Thump! The thickest hipster scene I've yet encountered. Imagine taking a time machine and setting it directly for 2014. I mean, it's got everything: handlebar mustaches, toques, artisanal kombucha (whatever that means), local microbrews and wine, suspenders, lattes done with artistic foam flourishes, plenty of journals and laptops, comfy faux-leather couches, a cast iron fireplace, and neo-rustic furniture including metal chairs and roughhewn wood communal tables. The baristas are encouraged to emulate the sartorial excellence of the Lumineers or Mumford and Sons (I KNOW, it pains me too*), and openly admit that they will judge you for drinking herbal tea...or at least so sez the wall art behind them. But a super cool place to go and pretend that you're in Oregon (if you're not actually in the Bend location). Also: a super awful place to go if you are allergic to any of the aforementioned accoutrements. (Mr. Man would go anaphylactic in 0.3 seconds.)
- Vinyl! Enjoying the turntable, so I made a few other purchases today. Continued my Beatles love with Help!, took a left turn into country with Gram Parson's Grievous Angel, and in the never-imagined-I'd-ever-do-this department, plunked down six greenbacks for a used original print of Tammy Wynette's greatest hits, dating back to 1969. Still sounds fine. All I can say is maybe it was inspiration from...well, refer back to my last post.
- Clothes! Just the typical getting the new to replace the old...but trying to buy the quality shit that'll last. Now that I'm at a size I'm happy with, I can justify getting stuff I won't grow out of in a year or two. So goes the vision. Oh, and speaking of size...
- Neck rolls! Weird to say this, but when I roll my head back in a chair, it's kinda comforting to feel the back of my neck bulk up and provide a bit of a cushion for my head. Just thought of that this afternoon...and again just now. Not to mention: on the right man, this can be, hands down, the sexiest body part ever. No joke.
*Of course, as soon as I mock the Lumineers for their threads, I have to look up their video for a quick reminder of exactly how they look. And oh SNAP but ya caught me. T-shirts and suspenders everywhere. And...uh...what is it that I'm wearing now? Oops. So I must admit that yes, I myself may have taken my sartorial cues from the Lumineers unintentionally. But can I defend suspenders real quick here? For a guy who does not care for regular hiking-up of pants - particularly since I already have a proportionally long torso and short legs - suspenders are awesome. Besides, they look classy and masculine. Unless you wear them with shorts, in which case go stand next to Brigitta like we rehearsed, Kurt. So I'm taking every opportunity to wear them nowadays...and at some point, hope to figure out some way to fit them into business wear.
So. Enough for now. I have a Moscow mule or three waiting for me at the local leather bar.
Thursday, June 5, 2014
The Daisy Buchanan
Earlier this year, I got to enjoy that favorite of dieselpunks everywhere, The Great Gatsby. No, not the book. The Leonardo DiCaprio dazzlefest. Seriously, while I was watching it, I thought the movie had Moulin Rouge written all over it, and whaddaya know? Same director. That movie is one hella blingalicious partay, after the likes of which your eyes will be craving a whiff of coffee beans to neutralize the palate. The Great Gatsby (the movie) was reviled for being...what? artificial? Like the era it was trying to portray? It won an Oscar for costume design and yeeeah. Deserved. When Daisy Buchanan was suddenly crying over never having seen such beautiful shirts, I kinda got what she meant. I could spend a lifetime trying to find shit that looked that good. (And yeah, I know Daisy wasn't really crying over beautiful shirts. Duh.)
But that's not really what I'm here about. Ladies and gentlemen of the board, I've come up with a new creation, my drink of the summer of 2014, named after she who stole Jay Gatsby's heart. It's basically a dolled-up, sweeter and lighter gin and tonic. Gin squinches the back of the tongue, and for some people, it has far too astringent and bitter a taste to enjoy. Hence the accoutrements to ease otherwise skeptics into how delightful gin can be in the right setting. Besides, if you're gonna make a drink that's an homage to the '20s, there better damned well be gin in there.
So here ya go. The Daisy Buchanan. Drink this and feel like money.
1 1/2 shots gin
1/2 shot St. Germain
1/2 shot Lillet Blanc
tonic water
Add the shots to a highball glass or something similar. Add some ice. Top with tonic water. Stir and enjoy.
But that's not really what I'm here about. Ladies and gentlemen of the board, I've come up with a new creation, my drink of the summer of 2014, named after she who stole Jay Gatsby's heart. It's basically a dolled-up, sweeter and lighter gin and tonic. Gin squinches the back of the tongue, and for some people, it has far too astringent and bitter a taste to enjoy. Hence the accoutrements to ease otherwise skeptics into how delightful gin can be in the right setting. Besides, if you're gonna make a drink that's an homage to the '20s, there better damned well be gin in there.
So here ya go. The Daisy Buchanan. Drink this and feel like money.
1 1/2 shots gin
1/2 shot St. Germain
1/2 shot Lillet Blanc
tonic water
Add the shots to a highball glass or something similar. Add some ice. Top with tonic water. Stir and enjoy.
Labels:
100% fun,
good good things,
Take me drunk I'm home
Wednesday, April 16, 2014
VINYL ROCKS!
Okay...whether it's better than CD...I'll leave that up to the more vociferous and engaged in that debate.
Got a turntable lately. Fun stuff. It's great to sit down at the end of the day and devote all my time and energy to listening to records. Yep...how long has it been since you've heard that word? Albums, yes. But records? That's different. Haven't realistically considered owning records since the 1980s. Yipes. I'm so retro. And so hipster.
Except, well, not.
I don't have any Mumford and Sons. Or whatever y'all hipsters listen to. Not sure I'd know...y'all love your obscure bands, right? In fact, I'll go the opposite way. First two records bought: Rubber Soul and Revolver. About as un-hip as you can get. And about as awesome as you can get. I've owned Rubber Soul in the past, so no musical revelations there. But I've only owned a smattering of songs from Revolver, so songs like "For No One," "Got To Get You Into My Life" and "Taxman," are completely new to me. It's cool to hear them, mostly, for the first time. The individual songs are excellent, but to hear them all together, strung out in the sequence the Beatles wanted, just brings everything to a more awesome level.
Mr. Man brought out his long-lost (and slightly warped) copy of Thriller, and people, I'm a happy kid. Again, if you want to hear the majority of the album, just turn on your local '80s station and wait a few hours for at least one of the songs to appear. But stuff like "Baby Be Mine" and "The Lady In My Life," (which is actually kinda drecky) are great to return to.
I know, I can get all this on CD, rip it to my iPod, and listen at my leisure, whenever I want. So whither the turntable? I guess it's a desire to make listening to music more of an event, more deliberate. It takes time and adds anticipation to pull a record out of its cover, then out of its sleeve, and put it onto a turntable. Then you turn it on, see the stylus move to the edge of the record, drop down oh-so-gently, then hear the pop and some static that announces the imminent experience of some great music about to hit you in t-minus-5 seconds. And you feel compelled to sit down and listen to the thing in its entirety. It's not so easy to skip songs in a fraction of a second, or to return to that cool bit you just heard. Not impossible, but it's a bit of an effort, and kind of annoying to do so. And you know? I like it that way. I have enough distractions and multitasking going on nowadays. I like the idea of sitting down and devoting my energy purely to listening to music. Some music demands that kind of attention. So I'm going about building my collection accordingly.
I got Kind of Blue and A Love Supreme last night, too. The former I've heard a million times...and will never get tired of it. The latter I listened to for the first time last night. Fucking brilliant. I'm usually not a fan of jazz (makes me think of old nasty-smelling smoky clubs, plaid suits, and urbane '70s pastiches like "The Rockford Files" and "Kojak"), but this was pretty awesome. I nearly felt compelled to make a Manhattan and sip it to make the experience complete, but John Coltrane's spiritual liner notes (remember those, kids?) and the feeling he and his band put into the music even made me hesitate to indulge.
So there's my excitement over the past week or so. Next on the list: Random Access Memories. Maybe some vintage Elton John. More classic jazz. Who knows?
Got a turntable lately. Fun stuff. It's great to sit down at the end of the day and devote all my time and energy to listening to records. Yep...how long has it been since you've heard that word? Albums, yes. But records? That's different. Haven't realistically considered owning records since the 1980s. Yipes. I'm so retro. And so hipster.
Except, well, not.
I don't have any Mumford and Sons. Or whatever y'all hipsters listen to. Not sure I'd know...y'all love your obscure bands, right? In fact, I'll go the opposite way. First two records bought: Rubber Soul and Revolver. About as un-hip as you can get. And about as awesome as you can get. I've owned Rubber Soul in the past, so no musical revelations there. But I've only owned a smattering of songs from Revolver, so songs like "For No One," "Got To Get You Into My Life" and "Taxman," are completely new to me. It's cool to hear them, mostly, for the first time. The individual songs are excellent, but to hear them all together, strung out in the sequence the Beatles wanted, just brings everything to a more awesome level.
Mr. Man brought out his long-lost (and slightly warped) copy of Thriller, and people, I'm a happy kid. Again, if you want to hear the majority of the album, just turn on your local '80s station and wait a few hours for at least one of the songs to appear. But stuff like "Baby Be Mine" and "The Lady In My Life," (which is actually kinda drecky) are great to return to.
I know, I can get all this on CD, rip it to my iPod, and listen at my leisure, whenever I want. So whither the turntable? I guess it's a desire to make listening to music more of an event, more deliberate. It takes time and adds anticipation to pull a record out of its cover, then out of its sleeve, and put it onto a turntable. Then you turn it on, see the stylus move to the edge of the record, drop down oh-so-gently, then hear the pop and some static that announces the imminent experience of some great music about to hit you in t-minus-5 seconds. And you feel compelled to sit down and listen to the thing in its entirety. It's not so easy to skip songs in a fraction of a second, or to return to that cool bit you just heard. Not impossible, but it's a bit of an effort, and kind of annoying to do so. And you know? I like it that way. I have enough distractions and multitasking going on nowadays. I like the idea of sitting down and devoting my energy purely to listening to music. Some music demands that kind of attention. So I'm going about building my collection accordingly.
I got Kind of Blue and A Love Supreme last night, too. The former I've heard a million times...and will never get tired of it. The latter I listened to for the first time last night. Fucking brilliant. I'm usually not a fan of jazz (makes me think of old nasty-smelling smoky clubs, plaid suits, and urbane '70s pastiches like "The Rockford Files" and "Kojak"), but this was pretty awesome. I nearly felt compelled to make a Manhattan and sip it to make the experience complete, but John Coltrane's spiritual liner notes (remember those, kids?) and the feeling he and his band put into the music even made me hesitate to indulge.
So there's my excitement over the past week or so. Next on the list: Random Access Memories. Maybe some vintage Elton John. More classic jazz. Who knows?
Friday, April 11, 2014
Okay. You know bad is bad when...
- This is the first night in over 10 years that I've had two mai tais in one night. (Peruse the New York Bartender's Guide for the liver-crushing recipe. Or just look here.) Somehow (and fifty pounds later), I can handle them. But just barely.
- I had to improvise with blue curacao with one of them. So the drink turned out to be the color of fungified cement. Yum.
- I tell Quinn that she is SO hopelessly a fashion don't while she's wearing a kerchief with her matchy-match two-piece bikini while she's poolside with her friends. The only members of the Fashion Club.
- Yep. It's a olive drab and kelly green PLAID. Even I wouldn't be caught dead wearing such clashing patterns in the local man's man gay bar, even under low lights, even with drunk guys who wouldn't know better. Did I say gay men? Yeah. Not all of them are fashion mavens, but some of them wear fabulous scarves with their impeccable leather coats.
- Oh, and yeah...Quinn is a fucking CARTOON.
- I'm spewing advice to said cartoon.
- This cartoon, despite catering to college-age kids, stopped being relevant around, oh, 1997.
- Not a mathematician, but let's do the math here. SEVENTEEN YEARS AGO? Oh God...
- God, I'm old.
- I'm trying to persuade myself that my predecessors of decades and decades past regressed into their younger years to...well, for one night, to numb themselves into forgetting an annoying day. Despite the lack of said cartoons.
- La la LA la la...
It's apparently the year of 25 year anniversaries. Three days and twenty-five years ago began one of the most difficult days of my life. In just over a month and a half will commence the 25th anniversary of the most amazing day of my life.
Okay. I really should stop right now. Mark the time. And note the beverages consumed. Also note that it has been over ten years.
God, I'm pathetic right about now. Don't expect this post to last more than a week.
Okay. One more thing. GOD, right now I wish I knew who my birth parents were. Maybe one day.
Thursday, December 5, 2013
The Music of 1989
A glimpse into the music-obsessed world of mine. I, riddled with ADHD (not diagnosed, not really ADHD...just sayin') read music reviews obsessively. Like tiny packets of dopamine to my system, these wastes of time and energy are. But I just can't stay away.
Since 1989 was far and away the most pivotal year of my young life (best and nearly worst, for a variety of reasons), I decided to look at the top 100 pop songs of that year. Yeesh...what a wasteland. Put thusly: if Milli Vanilli 1) has a firm hold on this list, and 2) I actually find MV's contributions among the better songs in this list, you know something is wrong. No wonder I soon found my way out of the mainstream.
So here's a fun little exercise: commentary on various of the top 100 alternative albums (back when the term actually meant something, you spoiled little upstarts!) in 1989, as proposed by the biased-but-still-awesome blog Slicing Up Eyeballs.
The Cure - Disintegration: Meh...didn't grab me so much, but you can't deny it's an awesome album. Maybe I'm not as goth as I'd like to pretend. I did get it years later, figuring it'd be a great breakup album to have as my relationship with Mr. Man was seriously on the skids. Fortunately, we stayed together, and I got to keep Disintegration. Huzzah all around.
Pixies - Doolittle: Discovered this a few years after the fact. And again, for some reason, the album as a whole didn't grab me, but individual songs stuck in my cerebral sulci, and to this day, they're on reliable rotation. Nirvana, and by extension virtually all of 1990s rock would've been DOA without this one. "La La Love You" has to be one of the coolest surf-punk songs ever committed to tape. (Bonus: "Debaser" inspired the referenced blog's title.)
Nine Inch Nails - Pretty Hate Machine: Good GOD, but this informed my high school experience. M. Reznor fuckin' FELT my pain, man! And the music felt so edgy and skittish. It was my entry point into industrial, for which I am forever grateful.
The Stone Roses: How the fuck did I miss this one? Only got it last year, and my conclusion: damn, I missed out on a whole lot of something back in the day. I'd have worn this one the fuck OUT. As it is, it's consigned to an occasional song on my "top rated" list. It deserves better. Mea culpa. (When I got a drum set around 15, a friend offered to teach me some tricks. Quote: "I'll have you playing the Stone Roses in no time." Would've been nice. Instead, I was stuck playing R.E.M., which wasn't exactly drummer heaven.)
Beastie Boys - Paul's Boutique: I'm seeing a miserable trend here. I'm consistently decades late to the party. But hella fun, right? "Looking Down the Barrel of a Gun" is pretty frightening, though...belongs in some warped Tarantino vehicle.
B-52's - Cosmic Thing: Phoenician rebirth, y'all. Fun, for the most part, aside from a few throwaways. I blast "Dry County" during the first real scorcher of the summer, and it feels like home. I've also sung "Love Shack" at the weddings for my brother and my sister. *hangs head in embarrassment*
The Replacements - Don't Tell a Soul: Uh, no. I meant to order "Pleased to Meet Me," but I got this drearfest instead. (This was back in the day of music clubs, kids, where you could actually buy EIGHT CDs for the price of one!) Professional, so it sounds good, but the Replacements should be anything but professional. Keepers: "I'll Be You," "Achin' to Be."
Bob Mould - Workbook: Yet another "just got this last year." I suck. Anyhow...the production here is clean and bright as a sanitized chrome kitchen. Some awfully beautiful songs here, too. And a bit of noodling that sounds...well, cool mountain stream comes to mind ("Sunspots"). Wait...all this from one of the big names in corrosive and angst-ridden punk? Yes. A major left turn from the noise that was Hüsker Dü, but a really awesome left turn.
10,000 Maniacs - Blind Man's Zoo: My entry point into this band. (Bragging rights: met them backstage at the Tonight Show during my 15 minutes of fame in 1989.) Loved 'em at the time, but this one is now about my least favorite of their albums; I can't remember when I last gave this one a spin. Someone once said that it's easy to listen to 10,000 Maniacs while you're doing household chores. I'd concur. Not exactly the most ringing endorsement.
Indigo Girls: This one hit me but HARD. While enjoying a beautiful mountain summer, I stumbled upon this album, courtesy of my sister, and "Closer to Fine" became one of my anthems that summer (I think it must have been 1990). Clean, green, sweet harmonies and simple guitar melodies throughout ensured this would be one of my favorite albums throughout high school. Heck, I even performed "Closer to Fine" with a friend during our spring concert my senior year.
Since 1989 was far and away the most pivotal year of my young life (best and nearly worst, for a variety of reasons), I decided to look at the top 100 pop songs of that year. Yeesh...what a wasteland. Put thusly: if Milli Vanilli 1) has a firm hold on this list, and 2) I actually find MV's contributions among the better songs in this list, you know something is wrong. No wonder I soon found my way out of the mainstream.
So here's a fun little exercise: commentary on various of the top 100 alternative albums (back when the term actually meant something, you spoiled little upstarts!) in 1989, as proposed by the biased-but-still-awesome blog Slicing Up Eyeballs.
The Cure - Disintegration: Meh...didn't grab me so much, but you can't deny it's an awesome album. Maybe I'm not as goth as I'd like to pretend. I did get it years later, figuring it'd be a great breakup album to have as my relationship with Mr. Man was seriously on the skids. Fortunately, we stayed together, and I got to keep Disintegration. Huzzah all around.
Pixies - Doolittle: Discovered this a few years after the fact. And again, for some reason, the album as a whole didn't grab me, but individual songs stuck in my cerebral sulci, and to this day, they're on reliable rotation. Nirvana, and by extension virtually all of 1990s rock would've been DOA without this one. "La La Love You" has to be one of the coolest surf-punk songs ever committed to tape. (Bonus: "Debaser" inspired the referenced blog's title.)
Nine Inch Nails - Pretty Hate Machine: Good GOD, but this informed my high school experience. M. Reznor fuckin' FELT my pain, man! And the music felt so edgy and skittish. It was my entry point into industrial, for which I am forever grateful.
The Stone Roses: How the fuck did I miss this one? Only got it last year, and my conclusion: damn, I missed out on a whole lot of something back in the day. I'd have worn this one the fuck OUT. As it is, it's consigned to an occasional song on my "top rated" list. It deserves better. Mea culpa. (When I got a drum set around 15, a friend offered to teach me some tricks. Quote: "I'll have you playing the Stone Roses in no time." Would've been nice. Instead, I was stuck playing R.E.M., which wasn't exactly drummer heaven.)
Beastie Boys - Paul's Boutique: I'm seeing a miserable trend here. I'm consistently decades late to the party. But hella fun, right? "Looking Down the Barrel of a Gun" is pretty frightening, though...belongs in some warped Tarantino vehicle.
B-52's - Cosmic Thing: Phoenician rebirth, y'all. Fun, for the most part, aside from a few throwaways. I blast "Dry County" during the first real scorcher of the summer, and it feels like home. I've also sung "Love Shack" at the weddings for my brother and my sister. *hangs head in embarrassment*
The Replacements - Don't Tell a Soul: Uh, no. I meant to order "Pleased to Meet Me," but I got this drearfest instead. (This was back in the day of music clubs, kids, where you could actually buy EIGHT CDs for the price of one!) Professional, so it sounds good, but the Replacements should be anything but professional. Keepers: "I'll Be You," "Achin' to Be."
Bob Mould - Workbook: Yet another "just got this last year." I suck. Anyhow...the production here is clean and bright as a sanitized chrome kitchen. Some awfully beautiful songs here, too. And a bit of noodling that sounds...well, cool mountain stream comes to mind ("Sunspots"). Wait...all this from one of the big names in corrosive and angst-ridden punk? Yes. A major left turn from the noise that was Hüsker Dü, but a really awesome left turn.
10,000 Maniacs - Blind Man's Zoo: My entry point into this band. (Bragging rights: met them backstage at the Tonight Show during my 15 minutes of fame in 1989.) Loved 'em at the time, but this one is now about my least favorite of their albums; I can't remember when I last gave this one a spin. Someone once said that it's easy to listen to 10,000 Maniacs while you're doing household chores. I'd concur. Not exactly the most ringing endorsement.
Indigo Girls: This one hit me but HARD. While enjoying a beautiful mountain summer, I stumbled upon this album, courtesy of my sister, and "Closer to Fine" became one of my anthems that summer (I think it must have been 1990). Clean, green, sweet harmonies and simple guitar melodies throughout ensured this would be one of my favorite albums throughout high school. Heck, I even performed "Closer to Fine" with a friend during our spring concert my senior year.
Monday, November 25, 2013
Simon & Garfunkel's Greatest Hits
Some albums you just don't need to own, because...well, everyone out there seems to own it, and you can just listen to their copy. At least, that was how the logic went circa 1990, when CDs and tapes were all the rage. In this case, my sister, who left a fair bit of her music collection behind when she went to college, was my unknowing benefactor whenever I snuck to her room and borrowed her copy of Simon & Garfunkel's Greatest Hits.
My music collection back in 1990 left a fair bit of testosterone to be desired, and this album certainly didn't contribute to the cause. What it did do, though, was to allow me to work on my voice on some of the most poignant and beautiful songs from the 1960s. Anoretic ol' me couldn't rumble down low quite yet, and for some reason, I idealized a high tenor, so I did what I could to nurture said tenor. (It certainly came in handy a year later when I began my choral career.) And I tried to ape Simon and Garfunkel's straight, unobtrusive, simply declarative singing. Any high notes sounded effortless, and that was my goal...regardless of how much my neck muscles and jugular veins would pop out, I would make those high Fs perfect, and not in falsetto, either!
I still point to Art Garfunkel's "For Emily, Wherever I May Find Her" as a crystalline example of how tender and touching singing can be. (I don't care that Paul Simon wrote the song...Art owns that damned thing.) The imagery is beautiful, and virtually every phrase is an impressionistic reverie ("I heard cathedral bells/Tripping down the alleyways"; "What a dream I had, dressed in organdy, clothed in crinoline of smoky burgundy"; "We walked on frosted fields of juniper and lamplight"). Say what you will about Simon's precious poesy elsewhere...here, he gets it perfect. The delicate and pointillistic accompaniment is gorgeous and perfectly suits the mood.
I also jibed with "I Am A Rock," Simon's declaration of emotional independence from all around him. Friends and lovers be damned, he was going it alone...and as an alienated teenager who found little of emotional sustenance to be had around me, so would I. Again, his fascination with poetry came to the forefront, where he intentionally contradicted John Donne's famous poem "No Man Is An Island."
Such was my resonance with this album and its melancholy that by mid-high school, I could sing anything on it, with memorized lyrics and the correct key, at a moment's notice. But as I grew older, so did this album, and we began to part ways during the latter years of high school. By mid-college, I had little use of it. The only reason I returned to it now was based on the 50th anniversary of JFK's death. I had mistakenly thought that "Mrs. Robinson" was the #1 song at the time of his death (actually, it was some song about a flying nun or something), when actually it was around RFK's death. Either way, I had remembered reading about how the lyrics seemed to echo America's sentiment at the time. ("Where have you gone, Joe DiMaggio? A nation turns its lonely eyes to you.") So I decided to revisit the album...and on the recommendation of many others, ended up getting its more expansive and sonically-updated relative, The Best of Simon and Garfunkel. It's nice to have more songs here, particularly from Bookends, an album I never had. But much like people sometimes complained about the sterility of CD sound vs. the warmth of vinyl, I feel like something has been lost in the upgrade somehow, and I miss the familiarity of the original audio. Oh well. It still is good to have these guys back again.
My music collection back in 1990 left a fair bit of testosterone to be desired, and this album certainly didn't contribute to the cause. What it did do, though, was to allow me to work on my voice on some of the most poignant and beautiful songs from the 1960s. Anoretic ol' me couldn't rumble down low quite yet, and for some reason, I idealized a high tenor, so I did what I could to nurture said tenor. (It certainly came in handy a year later when I began my choral career.) And I tried to ape Simon and Garfunkel's straight, unobtrusive, simply declarative singing. Any high notes sounded effortless, and that was my goal...regardless of how much my neck muscles and jugular veins would pop out, I would make those high Fs perfect, and not in falsetto, either!
I still point to Art Garfunkel's "For Emily, Wherever I May Find Her" as a crystalline example of how tender and touching singing can be. (I don't care that Paul Simon wrote the song...Art owns that damned thing.) The imagery is beautiful, and virtually every phrase is an impressionistic reverie ("I heard cathedral bells/Tripping down the alleyways"; "What a dream I had, dressed in organdy, clothed in crinoline of smoky burgundy"; "We walked on frosted fields of juniper and lamplight"). Say what you will about Simon's precious poesy elsewhere...here, he gets it perfect. The delicate and pointillistic accompaniment is gorgeous and perfectly suits the mood.
I also jibed with "I Am A Rock," Simon's declaration of emotional independence from all around him. Friends and lovers be damned, he was going it alone...and as an alienated teenager who found little of emotional sustenance to be had around me, so would I. Again, his fascination with poetry came to the forefront, where he intentionally contradicted John Donne's famous poem "No Man Is An Island."
Such was my resonance with this album and its melancholy that by mid-high school, I could sing anything on it, with memorized lyrics and the correct key, at a moment's notice. But as I grew older, so did this album, and we began to part ways during the latter years of high school. By mid-college, I had little use of it. The only reason I returned to it now was based on the 50th anniversary of JFK's death. I had mistakenly thought that "Mrs. Robinson" was the #1 song at the time of his death (actually, it was some song about a flying nun or something), when actually it was around RFK's death. Either way, I had remembered reading about how the lyrics seemed to echo America's sentiment at the time. ("Where have you gone, Joe DiMaggio? A nation turns its lonely eyes to you.") So I decided to revisit the album...and on the recommendation of many others, ended up getting its more expansive and sonically-updated relative, The Best of Simon and Garfunkel. It's nice to have more songs here, particularly from Bookends, an album I never had. But much like people sometimes complained about the sterility of CD sound vs. the warmth of vinyl, I feel like something has been lost in the upgrade somehow, and I miss the familiarity of the original audio. Oh well. It still is good to have these guys back again.
Sunday, November 17, 2013
"What's that I smell?" "Burning nun, darling. Cheers."
Random comments about last night:
- When a new gayby (young, either newly-out or new to the scene gay man) says he has not seen The Sound of Music after 21 years on this plane, what do you do? Of course. You devirginize him. With said movie. And lots of friends. And lots of drinks and nibbly things.
- Don't be too bummed if he decides he really won't go out of his way to see the movie again, despite allowing as how he liked it.
- The St. Germain gin and tonic is utterly delightful. I wish I had begun drinking it about six months ago. It makes the perfect summer drink. (Don't belabor it. One gin and tonic, a half shot of St. Germain.)
- Forgive me, for I have sinned. Of all the gawdawful, socially, politically, environmentally, and hygienically repugnant things I could have done last night, this takes the cake: ordering Papa John's.
- Superman: Man of Steel - (Spoilers, natch.) Not a bad movie. I appreciated the story behind why General Zod was so hell-bent on taking over Earth. Not that it particularly made me like him, but it certainly made me understand his impulses better; I could almost sympathize with him. (Compare it with Superman II, where Zod just plain wanted to rule the planet and subject its peons to cruel dictatorship because...well, you know...just because.) But GOD...how many buildings did those two lovers need to throw each other into? And in the end, all it took was a good old-fashioned neck-wrench to send Zod hurtling into the void? What a disappointment.
- Combine the gin and tonics, the pizza, and the hyperkinesis of MOS, and you have yourself one soon-to-be-sick puppy on your hands. Cold sweat, that sudden sense of impending doom if you don't do something NOW...you know the feeling. And so:
- Enter my favorite herb of all time: gentian. Insanely bitter - and insanely awesome. I keep a tincture of it on hand at all times. It has often made the difference between puking my guts out and feeling miserable for hours afterward and feeling clean, cool, and calm. Three squirts of this in a cup of water, sipped over a few minutes, and here was the progression. Five minutes after starting: something is happening. Ten minutes after that: I'm definitely on the mend. Not sweating, stomach is moving, and this noxious brick in my stomach feels like it's dissolving. Within a half hour: completely out of the woods. Not just that, but I feel like I could SOAR, I'm feeling so great. I normally don't have quite that dramatic a response to gentian, but I was in a world of hurt last night.
- Want an aural approximation of this progression? Listen. Start at about 7:30 (just before feeling sick), and go until the vocals kick in at about 13:40. Thank God for prime Floyd.
Monday, October 14, 2013
Alice Hanson
I went to a Lutheran college in small town Minnesota renowned, quite honestly, the world over for its music department. The choirs, orchestra, and band all were miles beyond the typical college ensembles, and were compared favorably with the likes of other world-famous ensembles. But behind the groups was the faculty. While being peerless in excellence, the demeanor of the instructors ranged from friendly to aloof, modest to egotistical. But the most notorious instructor was the one whose name was spoken with not a little fear: Dr. Alice Hanson.
Dr. Hanson taught what was universally known - not just in the music department, but schoolwide - as the toughest two courses at college: the two classes in music history required for music majors. Organic chemistry? Pshaw! Advanced statistics? A cake walk. Her classes all started at 8:00 am. Her door shut at 8:01. And students who showed up late were locked out and received an absence. Her lectures were legendary. She would be discussing Schubert lieder, then in a split second, point at you or one of your unwitting classmates and ask you a question about them. Woe unto you if you didn't know the answer or weren't paying attention, since participation every class by every student was mandatory and a significant part of the grade. She'd go down the line, knocking down student by student until someone gave her an acceptable answer. If corporal punishment were legal in college, I'm sure there would have been more than a few knuckle-rappings for not knowing the answer. I never heard about the rigors of writing papers for Dr. Hanson, but I think this post by a respectful former student rings true. No one who crossed her forgot her, and everyone who took her classes emerged a better person for it.
As you've guessed, I wasn't a music major, although I took as many classes as I could without declaring an official major, so I never met Dr. Hanson. I'm certain that I walked by her more than once in the halls of the music department, small as it was, but I never really recognized her, which added to her mystique. And once I left college, any mention of her disappeared...until this past week. She left behind the kind of legacy that I aspire to: that of a hard-ass who was frequently harsh and unyielding but always in the service of improving those around her. People may not have liked her, but they unanimously held the highest of respect for her. To be blunt, perhaps as she would have liked it, bitch got shit done. And she taught others how to get shit done in her own way, too.
I'm imagining one of two scenarios right now. Either St. Peter is wondering if Dr. Hanson really belongs up there, or Satan is afraid of being upstaged. I'm thinking more the former, but wherever she ends up, there's gonna be a lot of chain-rattling going on.
And again...damn. I never met the woman. I never took a class of hers. But I heard stories upon stories about her the entire time I was in college. And years later, upon hearing about her death, I'm spending part of my afternoon writing a whole post about her. That, my friends, is one awesome legacy.
Dr. Hanson taught what was universally known - not just in the music department, but schoolwide - as the toughest two courses at college: the two classes in music history required for music majors. Organic chemistry? Pshaw! Advanced statistics? A cake walk. Her classes all started at 8:00 am. Her door shut at 8:01. And students who showed up late were locked out and received an absence. Her lectures were legendary. She would be discussing Schubert lieder, then in a split second, point at you or one of your unwitting classmates and ask you a question about them. Woe unto you if you didn't know the answer or weren't paying attention, since participation every class by every student was mandatory and a significant part of the grade. She'd go down the line, knocking down student by student until someone gave her an acceptable answer. If corporal punishment were legal in college, I'm sure there would have been more than a few knuckle-rappings for not knowing the answer. I never heard about the rigors of writing papers for Dr. Hanson, but I think this post by a respectful former student rings true. No one who crossed her forgot her, and everyone who took her classes emerged a better person for it.
As you've guessed, I wasn't a music major, although I took as many classes as I could without declaring an official major, so I never met Dr. Hanson. I'm certain that I walked by her more than once in the halls of the music department, small as it was, but I never really recognized her, which added to her mystique. And once I left college, any mention of her disappeared...until this past week. She left behind the kind of legacy that I aspire to: that of a hard-ass who was frequently harsh and unyielding but always in the service of improving those around her. People may not have liked her, but they unanimously held the highest of respect for her. To be blunt, perhaps as she would have liked it, bitch got shit done. And she taught others how to get shit done in her own way, too.
I'm imagining one of two scenarios right now. Either St. Peter is wondering if Dr. Hanson really belongs up there, or Satan is afraid of being upstaged. I'm thinking more the former, but wherever she ends up, there's gonna be a lot of chain-rattling going on.
And again...damn. I never met the woman. I never took a class of hers. But I heard stories upon stories about her the entire time I was in college. And years later, upon hearing about her death, I'm spending part of my afternoon writing a whole post about her. That, my friends, is one awesome legacy.
Wednesday, September 11, 2013
Hallelujah - Jeff Buckley
Leonard Cohen penned this old chestnut back in the '80s, and indulged his nascent love for synthesizers while recording it. The results were moving but still jarring, particularly for people who had always known Cohen as a folkie, and this rendition sounds hopelessly dated now. But, y'know...if Dylan can go electric successfully, why can't Cohen? (Listen to I'm Your Man for what can happen when he gets synthesizers fully right.)
Since that time, gobs of singers have recognized what a stunning piece of work "Hallelujah" is, and have tried their hand at it. Rufus Wainwright and k.d. lang are among the fellow Canadians who have successfully turned it out. I actually heard a country singer attempt it yesterday on our office Muzak, with abysmal results. But honestly, no one - NO ONE - has even come close to Jeff Buckley's crystalline, heartbreaking rendition.
Buckley's voice is a nearly otherworldly instrument...some have even said that his voice sometimes does what no human voice should be able to do. He can sound angelic, soaring above the world like the most pristine of boy's choir voices, then scream like a banshee hellbent on destruction for what feels like minutes on end. Buckley is also not afraid to sound like an possessed fool in the service of a wild old blues song.
But he understands the quiet, serious reverence "Hallelujah" can take, and with spare spidery guitar behind him, he begins nearly in a whisper, commanding attention and wringing out every last bit of emotion from the song as beautifully as possible. The way he adds the slightest of melismas to the chorus is chill-inducing, and damns the likes of Christina Aguilera to musical hell. On the entrance to the bridge, he sings the last "hallelujah" as if he's pushing a paper boat with the slightest of nudges out onto a vast lake, with nothing but that solitary guitar and its sad but sure direction between vast spaces of silence.
And then that ending...oh, my God, that ending. Buckley intones the chorus over and over again, growing ever quieter all the time, drawing you in once again. Then suddenly HALLELUJAH...his voice unexpectedly pierces the cathedralesque quietude like a jagged dagger, and hearts are shattered, tears erupt by the riverful, and worlds fall into despair. But as if to heal the pain, he gently sings hallelujah two last times...once that seems to flow for eternity, offering ethereal balm for all the world's suffering, then again to affirm that perfect healing. And although tears may not dry up, and sadness may continue, the last hallelujah closes the song as completely and gracefully as a pastor closing a Bible.
As far as moving, heartwrenching music goes, Jeff Buckley's "Hallelujah" is right up there with Samuel Barber's Adagio for Strings and Henryk Gorecki's Symphony of Sorrowful Songs. It's a perfect confluence of one of the century's most brilliant lyricists and songwriters, and a young man with a staggeringly talented voice. Take ten uninterrupted minutes out of your life and listen to it.
Since that time, gobs of singers have recognized what a stunning piece of work "Hallelujah" is, and have tried their hand at it. Rufus Wainwright and k.d. lang are among the fellow Canadians who have successfully turned it out. I actually heard a country singer attempt it yesterday on our office Muzak, with abysmal results. But honestly, no one - NO ONE - has even come close to Jeff Buckley's crystalline, heartbreaking rendition.
Buckley's voice is a nearly otherworldly instrument...some have even said that his voice sometimes does what no human voice should be able to do. He can sound angelic, soaring above the world like the most pristine of boy's choir voices, then scream like a banshee hellbent on destruction for what feels like minutes on end. Buckley is also not afraid to sound like an possessed fool in the service of a wild old blues song.
But he understands the quiet, serious reverence "Hallelujah" can take, and with spare spidery guitar behind him, he begins nearly in a whisper, commanding attention and wringing out every last bit of emotion from the song as beautifully as possible. The way he adds the slightest of melismas to the chorus is chill-inducing, and damns the likes of Christina Aguilera to musical hell. On the entrance to the bridge, he sings the last "hallelujah" as if he's pushing a paper boat with the slightest of nudges out onto a vast lake, with nothing but that solitary guitar and its sad but sure direction between vast spaces of silence.
And then that ending...oh, my God, that ending. Buckley intones the chorus over and over again, growing ever quieter all the time, drawing you in once again. Then suddenly HALLELUJAH...his voice unexpectedly pierces the cathedralesque quietude like a jagged dagger, and hearts are shattered, tears erupt by the riverful, and worlds fall into despair. But as if to heal the pain, he gently sings hallelujah two last times...once that seems to flow for eternity, offering ethereal balm for all the world's suffering, then again to affirm that perfect healing. And although tears may not dry up, and sadness may continue, the last hallelujah closes the song as completely and gracefully as a pastor closing a Bible.
As far as moving, heartwrenching music goes, Jeff Buckley's "Hallelujah" is right up there with Samuel Barber's Adagio for Strings and Henryk Gorecki's Symphony of Sorrowful Songs. It's a perfect confluence of one of the century's most brilliant lyricists and songwriters, and a young man with a staggeringly talented voice. Take ten uninterrupted minutes out of your life and listen to it.
Monday, July 29, 2013
I would cuddle you so hard.
So says a shirt frequenting the local gay watering holes nowadays. So much for the hankies in the back pocket advertising what wild (or not-so-wild but still sexual) things you were into. Of course, those largely died out as guys became more open and willing to say what they wanted. Props to the interwebs and such for that.
But really? CUDDLE? That's all you would do? I'd hope for something more. Something more animal, something more feral, something more bestial than just a warm fuzzy cuddle.
Unfortunately, it seems like that's what guys are resorting to more and more. Or at least advertising. Maybe I'm wrong, and maybe guys are using that as a ruse to actually bed other guys. I hope I'm wrong. But it's almost like we men are becoming emasculated. (BTW...there is a significant and really depressing amount of scientific evidence to support this hypothesis, too...just search around.)
One of my good friends wrote last night about this very topic. He started out as a kid much like me (and much like millions of other gay men out there), having that dream, then waking in fright and dread about what it meant, and how it went against everything that he heard and was taught. For him, it was even worse, growing up a devout member of the Catholic church, right alongside the rest of his Italian family.
So he learned to hide it, to be one of the guys, to be a hard-partying womanizing frat boy by college. Only in his last year of college (again, much like me), did he finally come out, much to his family's consternation and his friends' confusion. Stereotypes die hard, and a brutally masculine, non-swishy man just cannot be gay, right?
As the years passed and he became more comfortable with himself, he realized at some point that he was not just this butch gay guy, but a full-out leatherman, with all the serious role-playing and heavy sex that culture entails. And it hit him hard, in the best way possible. So not only was there a place for the non-swishy gay men, but the hypermasculine ones who were as far from that stereotype as possible.
Now, years later, he's seeing evidence of...well, at least for himself, some dying down of the testosterone-laden past he's had. It happens as you grow older. But he's beginning to rage against that dying of the light. Getting a full-sleeve tattoo, hitting the gym again in earnest, and doing what he can to ensure that he remains as queer and true to himself as possible. He exults in living the life that few dare to, in being that wild man. He laughs a bit too loud. He rides his motorcycle a bit too fast. He wears his pants a size too small to show off his impressive package (accentuated with a PA). He occasionally wears his full Tom of Finland leather gear to choir rehearsals, and even to church, where he works as the music director and organist. And he loves every last bit of it.
And I love him for it. Guys like him, with so much passion, pushing at the bounds of propriety and acceptability, are too few and far between in this world of beige and cubicles and suburbs and long commutes.
My life has taken me in a decidedly less wild trajectory than his. No leather in my past, I was nowhere near as butch as this guy was. My personal revolution was largely internal; aside from temporarily dyeing part of my hair green, you wouldn't have guessed I was subversive in any way. I wasn't swishy, but you could have justifiably called me effete back in the day. You could have blown me over with a breeze. And I was terribly shy.
Some things don't change. I'm still pretty shy when it comes to meeting guys I'm attracted to. Not the butchest guy to come down the pike, either (though I'm also not FAAAAbulous). But at least I look and feel more substantial. Every day, I live a bit closer into what is truly who I feel I was meant to be.
And I think this may be why I have such admiration for my queer brothers and sisters. We were dealt a hand that forced us to suppress ourselves for a long time - especially during the time that would ordinarily be the most transformative. The act of being true to ourselves in the face of a society that disapproves of such a thing becomes exponentially more meaningful and urgent than it otherwise would.
In particular, I have tremendous admiration for those whose need to be completely true to themselves takes them on the most extreme journeys. Drag queens are among them. It takes some real courage to engage in the transformation into some of the most fabulously dressed and made-up creatures on the planet. This is not in small part because we live in a society in which women are, unfortunately, construed in many ways as inferior to men. But among me and my friends, drag queens are deserving of the highest adulation possible. In fact, for many of us, RuPaul's Drag Race is a ritual during the first third of each year. Many straight guys have their football or basketball or baseball. We have our Drag Race.
Recently, I've also begun to admire - much more than in the past - the trans folk of our culture. One of my best friends from college came out to me in a very low-key manner at a bar in Minneapolis, simply saying that she really was jealous of Chaz Bono. (I assume it was because Chaz was able to afford and undergo breast removal surgery.) The bit of exposure I had for the trans community suddenly was directly in front of me and a significant part of my life. Although she - to my knowledge - hasn't acted on anything since that time, she was the only trans man I'd known -- until about a month ago.
Just a few weeks ago, another college friend posted on FB that she was trans, and that from here on forward, she requested that we call him by his new chosen man's name, that he was taking testosterone, and that he was about to get his breasts removed. Wow. What balls. (Check out his blog "So that others may follow", which I have a link to on the right.) His partner, who is a lesbian, is staying with him and supporting him throughout his journey, too. (Update: Just found out right now that they just got engaged! Cue the tears of joy to my eyes.)
Then another college friend said that she was about ready to come out to her new workplace, and asked us all for support and prayers. This confused me, since she was a lesbian, and well, if you can't come out in Minneapolis, where can you come out? Then it hit me...this was why she had turned her FB name into two men's names. So he was trans, too! Pretty wild, this: three trans FTM guys within the span of two years of college. Whoda thunk? (Update: He was fully accepted, no issues whatsoever. What a huge blessing.)
These are the people who are true to themselves, who lend vivid, unignorable color to an increasingly beige world of people who would cuddle you so hard, who may seem weird and off-putting. But they're inevitably the most interesting, wild, and passionate people I know. They will be among the ones who help transform this world into a better, more tolerant, loving, and celebratory place. I'm glad to call them my sisters and brothers, and to count myself among them.
But really? CUDDLE? That's all you would do? I'd hope for something more. Something more animal, something more feral, something more bestial than just a warm fuzzy cuddle.
Unfortunately, it seems like that's what guys are resorting to more and more. Or at least advertising. Maybe I'm wrong, and maybe guys are using that as a ruse to actually bed other guys. I hope I'm wrong. But it's almost like we men are becoming emasculated. (BTW...there is a significant and really depressing amount of scientific evidence to support this hypothesis, too...just search around.)
One of my good friends wrote last night about this very topic. He started out as a kid much like me (and much like millions of other gay men out there), having that dream, then waking in fright and dread about what it meant, and how it went against everything that he heard and was taught. For him, it was even worse, growing up a devout member of the Catholic church, right alongside the rest of his Italian family.
So he learned to hide it, to be one of the guys, to be a hard-partying womanizing frat boy by college. Only in his last year of college (again, much like me), did he finally come out, much to his family's consternation and his friends' confusion. Stereotypes die hard, and a brutally masculine, non-swishy man just cannot be gay, right?
As the years passed and he became more comfortable with himself, he realized at some point that he was not just this butch gay guy, but a full-out leatherman, with all the serious role-playing and heavy sex that culture entails. And it hit him hard, in the best way possible. So not only was there a place for the non-swishy gay men, but the hypermasculine ones who were as far from that stereotype as possible.
Now, years later, he's seeing evidence of...well, at least for himself, some dying down of the testosterone-laden past he's had. It happens as you grow older. But he's beginning to rage against that dying of the light. Getting a full-sleeve tattoo, hitting the gym again in earnest, and doing what he can to ensure that he remains as queer and true to himself as possible. He exults in living the life that few dare to, in being that wild man. He laughs a bit too loud. He rides his motorcycle a bit too fast. He wears his pants a size too small to show off his impressive package (accentuated with a PA). He occasionally wears his full Tom of Finland leather gear to choir rehearsals, and even to church, where he works as the music director and organist. And he loves every last bit of it.
And I love him for it. Guys like him, with so much passion, pushing at the bounds of propriety and acceptability, are too few and far between in this world of beige and cubicles and suburbs and long commutes.
My life has taken me in a decidedly less wild trajectory than his. No leather in my past, I was nowhere near as butch as this guy was. My personal revolution was largely internal; aside from temporarily dyeing part of my hair green, you wouldn't have guessed I was subversive in any way. I wasn't swishy, but you could have justifiably called me effete back in the day. You could have blown me over with a breeze. And I was terribly shy.
Some things don't change. I'm still pretty shy when it comes to meeting guys I'm attracted to. Not the butchest guy to come down the pike, either (though I'm also not FAAAAbulous). But at least I look and feel more substantial. Every day, I live a bit closer into what is truly who I feel I was meant to be.
And I think this may be why I have such admiration for my queer brothers and sisters. We were dealt a hand that forced us to suppress ourselves for a long time - especially during the time that would ordinarily be the most transformative. The act of being true to ourselves in the face of a society that disapproves of such a thing becomes exponentially more meaningful and urgent than it otherwise would.
In particular, I have tremendous admiration for those whose need to be completely true to themselves takes them on the most extreme journeys. Drag queens are among them. It takes some real courage to engage in the transformation into some of the most fabulously dressed and made-up creatures on the planet. This is not in small part because we live in a society in which women are, unfortunately, construed in many ways as inferior to men. But among me and my friends, drag queens are deserving of the highest adulation possible. In fact, for many of us, RuPaul's Drag Race is a ritual during the first third of each year. Many straight guys have their football or basketball or baseball. We have our Drag Race.
Recently, I've also begun to admire - much more than in the past - the trans folk of our culture. One of my best friends from college came out to me in a very low-key manner at a bar in Minneapolis, simply saying that she really was jealous of Chaz Bono. (I assume it was because Chaz was able to afford and undergo breast removal surgery.) The bit of exposure I had for the trans community suddenly was directly in front of me and a significant part of my life. Although she - to my knowledge - hasn't acted on anything since that time, she was the only trans man I'd known -- until about a month ago.
Just a few weeks ago, another college friend posted on FB that she was trans, and that from here on forward, she requested that we call him by his new chosen man's name, that he was taking testosterone, and that he was about to get his breasts removed. Wow. What balls. (Check out his blog "So that others may follow", which I have a link to on the right.) His partner, who is a lesbian, is staying with him and supporting him throughout his journey, too. (Update: Just found out right now that they just got engaged! Cue the tears of joy to my eyes.)
Then another college friend said that she was about ready to come out to her new workplace, and asked us all for support and prayers. This confused me, since she was a lesbian, and well, if you can't come out in Minneapolis, where can you come out? Then it hit me...this was why she had turned her FB name into two men's names. So he was trans, too! Pretty wild, this: three trans FTM guys within the span of two years of college. Whoda thunk? (Update: He was fully accepted, no issues whatsoever. What a huge blessing.)
These are the people who are true to themselves, who lend vivid, unignorable color to an increasingly beige world of people who would cuddle you so hard, who may seem weird and off-putting. But they're inevitably the most interesting, wild, and passionate people I know. They will be among the ones who help transform this world into a better, more tolerant, loving, and celebratory place. I'm glad to call them my sisters and brothers, and to count myself among them.
Thursday, July 4, 2013
Like A Prayer - Madonna
No, really. This happens to be one insanely awesome album, the best she's ever done. It doesn't contain what I consider her undisputable highs ("Holiday" and "Vogue"), but it's her most consistent. It lands right at the end of her coy boy toy phase, just before she began to indulge in hardcore Erotica and Sex. That confluence alone would make Like A Prayer an especially fascinating chapter in Madonna's chameleonic career. But she went another step and practically made a concept album out of it, with at least half of the songs dealing with Family, whether literal or figurative. To belabor the point: mother ("Promise to Try"), father ("Oh Father"), sisters and brothers ("Keep It Together"), children ("Dear Jessie"), lovers ("Love Song", "Cherish"), spouses ("Till Death Do Us Part")...you get it.
What Madonna does here, also more than with any other album, is bare her soul. Much has been made of her intense love and longing for her mother, who died when Madonna was five, and whom Madonna has emulated and idolized. You hear her feelings spilled out on the gorgeous and deathly serious "Promise to Try," full of swelling strings and deep piano. Her pain also bleeds through on "Oh Father," during which she invokes not just the pain her father inflicted on her, but the symbolic Father of her church as well. But arguably, her deepest pain comes during the frenetic "Till Death Do Us Part." Remove the lyrics, and you have what could almost pass for a happy pop song. But at the time, Madonna was going through tremendous relationship anguish with her then-husband Sean Penn, and the couple divorced shortly before Like A Prayer was released. If the rumors on the tabloids didn't spell out her troubles clearly enough, her lyrics sure did: After listening to "The bruises, they will fade away/You hit so hard with the words you say," it was hard not to feel guilty over reducing Sean and Madonna to a celebrity couple for our consumption and amusement.
On the lighter side, "Dear Jessie" is a sweet and whimsical pop confection sung to a little girl, all "pink elephants and lemonade...candy kisses and a sunny day." Who knew Madonna could be so endearing, guileless, and motherlike? There's no other song in Madonna's canon like it, and it's utterly delightful. And in the midst of so many relationships on the album gone wrong, "Cherish" celebrates a deep and fulfilling relationship gone right...beyond infatuation and even beyond romance into joyous hopes for a lifetime of solid love with her perfect man. (I must pause here: that video. WHEW...that video. Those perfectly muscled and gorgeous mermen. *sigh*) And if there is any song that still keeps one foot firmly planted in the '80s, it's "Keep It Together." With a funky bassline and awesome syncopation, the song could fit seamlessly in True Blue from three years before. But instead of yelling "where's the party?" or naively gushing that "love makes the world go round," she profoundly asserts: "Brothers and sisters...they hold the key to your heart and your soul...don't forget that your family is gold." So much for the lighthearted hedonism of her youth...she's beginning to grow up.
The best and most convincing message on Like a Prayer comes in the form of self-affirmation and women's empowerment with "Express Yourself." The version here is pretty lighthearted and celebratory, full of synthesized brass and hoots. You know Madonna has some hard-won wisdom when she sings "You deserve the best in life, so if the time isn't right, then move on! Second-best is never enough...you'll do much better, baby, on your own!" Pop seldom has such profound lyrics, so hearing this song on FM radio was a revelation. (The version on The Immaculate Collection is a good deal rawer and funkier, but both versions are equally effective and enjoyable.)
The two songs that bookend the album are also nearly mirror images of each other. I'd argue that the title song is actually one of the weaker songs here. Bouncing between hushed gospel choruses and the bold sounds Madonna is known for does not make for a convincing song. Having said that, check out that edgy video. And duh...we all know what she meant when she sang "I'm down on my knees/I wanna take you there." (Again, I have to point out the version on The Immaculate Collection, which is a vast improvement on the original; its insistent crescendo suits the mood perfectly.) But then you play the song backward, add in some wild guitar strangling and botched tongue-in-cheek Catholic prayers ("Who art all good/Like I knew you would/And deserving of all my love"), and you have the hilarious "Act of Contrition." It would be unfair to disclose how the song ends. Just listen to it.
Hell, just listen to the whole album. And buy it. Yes, it's kind of a relic from the '80s, but it's also damn near impeccable. I'm not the biggest Madonna fan - in fact, I find it hard to muster up much enthusiasm for the majority of her music - but this album really has to be heard.
What Madonna does here, also more than with any other album, is bare her soul. Much has been made of her intense love and longing for her mother, who died when Madonna was five, and whom Madonna has emulated and idolized. You hear her feelings spilled out on the gorgeous and deathly serious "Promise to Try," full of swelling strings and deep piano. Her pain also bleeds through on "Oh Father," during which she invokes not just the pain her father inflicted on her, but the symbolic Father of her church as well. But arguably, her deepest pain comes during the frenetic "Till Death Do Us Part." Remove the lyrics, and you have what could almost pass for a happy pop song. But at the time, Madonna was going through tremendous relationship anguish with her then-husband Sean Penn, and the couple divorced shortly before Like A Prayer was released. If the rumors on the tabloids didn't spell out her troubles clearly enough, her lyrics sure did: After listening to "The bruises, they will fade away/You hit so hard with the words you say," it was hard not to feel guilty over reducing Sean and Madonna to a celebrity couple for our consumption and amusement.
On the lighter side, "Dear Jessie" is a sweet and whimsical pop confection sung to a little girl, all "pink elephants and lemonade...candy kisses and a sunny day." Who knew Madonna could be so endearing, guileless, and motherlike? There's no other song in Madonna's canon like it, and it's utterly delightful. And in the midst of so many relationships on the album gone wrong, "Cherish" celebrates a deep and fulfilling relationship gone right...beyond infatuation and even beyond romance into joyous hopes for a lifetime of solid love with her perfect man. (I must pause here: that video. WHEW...that video. Those perfectly muscled and gorgeous mermen. *sigh*) And if there is any song that still keeps one foot firmly planted in the '80s, it's "Keep It Together." With a funky bassline and awesome syncopation, the song could fit seamlessly in True Blue from three years before. But instead of yelling "where's the party?" or naively gushing that "love makes the world go round," she profoundly asserts: "Brothers and sisters...they hold the key to your heart and your soul...don't forget that your family is gold." So much for the lighthearted hedonism of her youth...she's beginning to grow up.
The best and most convincing message on Like a Prayer comes in the form of self-affirmation and women's empowerment with "Express Yourself." The version here is pretty lighthearted and celebratory, full of synthesized brass and hoots. You know Madonna has some hard-won wisdom when she sings "You deserve the best in life, so if the time isn't right, then move on! Second-best is never enough...you'll do much better, baby, on your own!" Pop seldom has such profound lyrics, so hearing this song on FM radio was a revelation. (The version on The Immaculate Collection is a good deal rawer and funkier, but both versions are equally effective and enjoyable.)
The two songs that bookend the album are also nearly mirror images of each other. I'd argue that the title song is actually one of the weaker songs here. Bouncing between hushed gospel choruses and the bold sounds Madonna is known for does not make for a convincing song. Having said that, check out that edgy video. And duh...we all know what she meant when she sang "I'm down on my knees/I wanna take you there." (Again, I have to point out the version on The Immaculate Collection, which is a vast improvement on the original; its insistent crescendo suits the mood perfectly.) But then you play the song backward, add in some wild guitar strangling and botched tongue-in-cheek Catholic prayers ("Who art all good/Like I knew you would/And deserving of all my love"), and you have the hilarious "Act of Contrition." It would be unfair to disclose how the song ends. Just listen to it.
Hell, just listen to the whole album. And buy it. Yes, it's kind of a relic from the '80s, but it's also damn near impeccable. I'm not the biggest Madonna fan - in fact, I find it hard to muster up much enthusiasm for the majority of her music - but this album really has to be heard.
Sunday, April 28, 2013
The best years of your life (or something...) (part 4)
What I'd tell myself back in 12th grade - the last of the series. (Part 1, part 2, and part 3 all here.)
-- College applications! Fun! But please, please, make sure to protect that application from Brown with your life. And if it gets kinda shredded in your backpack (and yes, it will), don't hesitate to call and ask for a second application. I doubt they'll hold it against you. It'd be a great school to go to, right? Your (up to now) first choice? Yeah. Go after it.
-- (added months later) Will you please promise me that you'll apply to at least one more college in the Northeast? Middlebury is pretty awesome. Bowdoin, Colby, and Amherst are, too. Besides, it's fucking gorgeous up there. You'll quite possibly love it more than...oh...oops. Better not say. Let's just say that you have a chance to alter your future right now...and quite possibly for the better.
-- Oh, God. I'm sorry about the Silver Skating Dame. She still is every bit as awesome as you know she is. But yeah, as great as she was, there's just that one little aspect of your life that got in the way. I will say it looked like (just between you and me), you were looking for an excuse to call the relationship off. Call it inspiration from James Dean and Route 66. Whatever. I know you can't be there for her the way she would really like.
-- FINALLY you're not doing speech. Good for you. It's not like you had enough on your plate before. Enjoy sleeping in on Saturdays, finally. (Oh, and same goes for not doing swim team.)
-- So Deep Springs called your bluff. Really, though, you did come across that well on paper. That essay on Woody Guthrie? Brilliant. Whoda thunk? Anyhow, get ready for one of the best...uh...four-day periods of your life. Seriously. I'd love to relive that trip over and over again.
-- Prednisone is EVIL. Don't do it like you did last year. Really. It will have some effects this time that will render All State Choir no fun at all. Cutting your vocal range in half is the least of it.
-- I know this will fall on deaf ears. But really, you shouldn't call your neighbors to see if you got the letter from Deep Springs. Trust me on this. Sit on it over the weekend. (and then...)
-- Man, I'm sorry about Deep Springs. I know how much you had your heart set on it. And yes, falling from that place to the land of Malt-O-Meal is quite a drop. Take it easy on yourself.
-- I know you're extremely anti-censorship. Me too. And I know you need to yell out the frustration you feel. But keep in mind that there's a fine line between expressing yourself and adding gasoline to the fire. You don't want to get so hung up on being so angry and all that it consumes you. In a nutshell: don't let your struggle become your identity. Then again...
-- Your anger. There's a great way to channel it. Hit the goddamned gym. Hit the free weights. None of this circuit crap. Chow down on some ginger while you're at it to boost your appetite. And don't worry about the big football jocks there who may be mocking you. You know where they started? Where you are right now. The good guys will respect you for working out. The assholes (and there are many fewer of them than the good guys) can just fuck off. So start off easy, and build up from there. And by "start off easy," I mean start off absurdly, insanely easy. But be consistent, and you'll see some awesome results.
-- The Metallica album? Get it. Just do. Good shit to listen to while you're lifting weights.
-- I just want to plant a seed here, amidst all the - honestly - misinformation and prejudice you're telling yourself, and absorbing from your dad. What I'm saying is coming from a struggling self-employed businessman, too...so keep that in mind. "Business" really, truly, honestly is not a four-letter word. Neither are "responsibility" or "professionalism." And here's why. The majority of businesses out there started as dreams and ambitions and hopes. Lofty and worthy ones, often. And ideally, they remain so. Business is the nuts-and-bolts work of making that dream a reality. Responsibility is a commitment to making that dream a reality. And professionalism is the outward manifestation of making that dream a reality. If people call you professional, they're acknowledging your commitment. It's honestly a compliment. Those words do not comprise a straitjacket. And conversely, you do not need to wear a suit and tie, or even business casual to be professional.
-- So now that you're back on good terms with the Silver Skating Dame, be cool to her. You know how awesome she is. You do know why she's following you to college, right? It's not because she thought that the Lutheran land of cows, colleges and contentment was her ideal place. (You KNOW that she couldn't have picked a worse fit if she'd tried.) So hang out with her every once in a while, let her know you still care. She'll appreciate it more than you know.
-- College applications! Fun! But please, please, make sure to protect that application from Brown with your life. And if it gets kinda shredded in your backpack (and yes, it will), don't hesitate to call and ask for a second application. I doubt they'll hold it against you. It'd be a great school to go to, right? Your (up to now) first choice? Yeah. Go after it.
-- (added months later) Will you please promise me that you'll apply to at least one more college in the Northeast? Middlebury is pretty awesome. Bowdoin, Colby, and Amherst are, too. Besides, it's fucking gorgeous up there. You'll quite possibly love it more than...oh...oops. Better not say. Let's just say that you have a chance to alter your future right now...and quite possibly for the better.
-- Oh, God. I'm sorry about the Silver Skating Dame. She still is every bit as awesome as you know she is. But yeah, as great as she was, there's just that one little aspect of your life that got in the way. I will say it looked like (just between you and me), you were looking for an excuse to call the relationship off. Call it inspiration from James Dean and Route 66. Whatever. I know you can't be there for her the way she would really like.
-- FINALLY you're not doing speech. Good for you. It's not like you had enough on your plate before. Enjoy sleeping in on Saturdays, finally. (Oh, and same goes for not doing swim team.)
-- So Deep Springs called your bluff. Really, though, you did come across that well on paper. That essay on Woody Guthrie? Brilliant. Whoda thunk? Anyhow, get ready for one of the best...uh...four-day periods of your life. Seriously. I'd love to relive that trip over and over again.
-- Prednisone is EVIL. Don't do it like you did last year. Really. It will have some effects this time that will render All State Choir no fun at all. Cutting your vocal range in half is the least of it.
-- I know this will fall on deaf ears. But really, you shouldn't call your neighbors to see if you got the letter from Deep Springs. Trust me on this. Sit on it over the weekend. (and then...)
-- Man, I'm sorry about Deep Springs. I know how much you had your heart set on it. And yes, falling from that place to the land of Malt-O-Meal is quite a drop. Take it easy on yourself.
-- I know you're extremely anti-censorship. Me too. And I know you need to yell out the frustration you feel. But keep in mind that there's a fine line between expressing yourself and adding gasoline to the fire. You don't want to get so hung up on being so angry and all that it consumes you. In a nutshell: don't let your struggle become your identity. Then again...
-- Your anger. There's a great way to channel it. Hit the goddamned gym. Hit the free weights. None of this circuit crap. Chow down on some ginger while you're at it to boost your appetite. And don't worry about the big football jocks there who may be mocking you. You know where they started? Where you are right now. The good guys will respect you for working out. The assholes (and there are many fewer of them than the good guys) can just fuck off. So start off easy, and build up from there. And by "start off easy," I mean start off absurdly, insanely easy. But be consistent, and you'll see some awesome results.
-- The Metallica album? Get it. Just do. Good shit to listen to while you're lifting weights.
-- I just want to plant a seed here, amidst all the - honestly - misinformation and prejudice you're telling yourself, and absorbing from your dad. What I'm saying is coming from a struggling self-employed businessman, too...so keep that in mind. "Business" really, truly, honestly is not a four-letter word. Neither are "responsibility" or "professionalism." And here's why. The majority of businesses out there started as dreams and ambitions and hopes. Lofty and worthy ones, often. And ideally, they remain so. Business is the nuts-and-bolts work of making that dream a reality. Responsibility is a commitment to making that dream a reality. And professionalism is the outward manifestation of making that dream a reality. If people call you professional, they're acknowledging your commitment. It's honestly a compliment. Those words do not comprise a straitjacket. And conversely, you do not need to wear a suit and tie, or even business casual to be professional.
-- So now that you're back on good terms with the Silver Skating Dame, be cool to her. You know how awesome she is. You do know why she's following you to college, right? It's not because she thought that the Lutheran land of cows, colleges and contentment was her ideal place. (You KNOW that she couldn't have picked a worse fit if she'd tried.) So hang out with her every once in a while, let her know you still care. She'll appreciate it more than you know.
Thursday, February 28, 2013
Love devastation!
Suicide Blonde - INXS: I never really had a huge, huge draw when this song came out originally. It is definitely one of INXS's best and most visceral songs, and the video is appropriately sexy. But when you're just 20, turn onto the main drag just after sunset in Satellite Beach, Florida during your spring break, driving a fabulous white convertible BMW, this song comes on the radio, and every light in sight suddenly turns green in front of you, it just hits you in the gut: you are SO in the right place at the right time, and you own the goddamned world. Flooring it never felt so liberating.
This Used To Be My Playground - Madonna: You know what's really sad? Knowing just how gracelessly Madonner is aging nowadays, pandering to the kids and forcing them to worship her in the least attractive way possible. (Seriously: I think M.I.A.'s flipping off the cameras during the Super Bowl concert was meant in every way toward Madonna...and to steal her thunder, too.) But doubly sad is listening to this lush and poignant bit of adult contemporary, and hearing what she could have been capable of, had she just accepted that people get older, and life moves on. And considering what a soulless wasteland adult contemporary music can be, that's high praise. (More high praise: this is the best of her late '80s-early '90s ballads, including the stunning "Spanish Eyes" and "Take a Bow.") Then again, maybe she took the lyrics too much to heart: "Say goodbye to yesterday/Those are words I'll never say." Compare this to the shite she's putting out there now. It's embarrassing. Still partying like she's 29, I guess. Sigh.
iTunes v. 11: MUST DIE. Dramatically simplified player, my ass. I know the desire to stuff every last medium into what was once a strict music player, to make a product all things to all people. I'm over it. This is enough, seriously, to make me seriously consider giving up my iPods (yes, plural) and just stick to my Android goods. Steve Jobs, we hardly knew ye.
El Alem Allah - Amr Diab: If this guy - pretty easy on the eyes, BTW - had any stateside exposure back in 2000, he would have seriously ruled the pop charts for a bit. As it is, Egypt got the spoils. And traditionalists in defense of Islamic culture screamed bloody murder because ZOMG WESTERN INFLUENCE MUST DIE!!! But hey...it's a breezy, bouncy, and insanely catchy pop tune in the vein of Ricky Martin. Besides, melding Arabic and Western music seems to be working for this guy - he's been the top Egyptian pop star for nearly 30 years. I found this one about three years ago, and it's been in heavy rotation in the car ever since.
This Used To Be My Playground - Madonna: You know what's really sad? Knowing just how gracelessly Madonner is aging nowadays, pandering to the kids and forcing them to worship her in the least attractive way possible. (Seriously: I think M.I.A.'s flipping off the cameras during the Super Bowl concert was meant in every way toward Madonna...and to steal her thunder, too.) But doubly sad is listening to this lush and poignant bit of adult contemporary, and hearing what she could have been capable of, had she just accepted that people get older, and life moves on. And considering what a soulless wasteland adult contemporary music can be, that's high praise. (More high praise: this is the best of her late '80s-early '90s ballads, including the stunning "Spanish Eyes" and "Take a Bow.") Then again, maybe she took the lyrics too much to heart: "Say goodbye to yesterday/Those are words I'll never say." Compare this to the shite she's putting out there now. It's embarrassing. Still partying like she's 29, I guess. Sigh.
iTunes v. 11: MUST DIE. Dramatically simplified player, my ass. I know the desire to stuff every last medium into what was once a strict music player, to make a product all things to all people. I'm over it. This is enough, seriously, to make me seriously consider giving up my iPods (yes, plural) and just stick to my Android goods. Steve Jobs, we hardly knew ye.
El Alem Allah - Amr Diab: If this guy - pretty easy on the eyes, BTW - had any stateside exposure back in 2000, he would have seriously ruled the pop charts for a bit. As it is, Egypt got the spoils. And traditionalists in defense of Islamic culture screamed bloody murder because ZOMG WESTERN INFLUENCE MUST DIE!!! But hey...it's a breezy, bouncy, and insanely catchy pop tune in the vein of Ricky Martin. Besides, melding Arabic and Western music seems to be working for this guy - he's been the top Egyptian pop star for nearly 30 years. I found this one about three years ago, and it's been in heavy rotation in the car ever since.
Saturday, January 26, 2013
And banana pudding...mmm...
It is an injustice universally acknowledged that when invited to a birthday party at which über-creamy mac and cheese mixed with andouille sausage is served, one should ideally be able to snarf down at least a whole plateful, yet the richness thereof coupled with the limits of the human stomach make such a delicious and heavenly endeavor fruitless.
Bah.
Bah.
Friday, January 25, 2013
What is this that stands before me?
My God...have you heard what the kids are listening to these days?
Along with my fancy new wheels (which totally rock despite the MAIN HOLY COMPUTER DYING ON ME only one week in), I got the requisite free trial to Sirius. They really have everything on there, don't they? I've been bopping along to the '80s, enjoying the new wave station, occasionally indulging my classical jones, and very occasionally dipping into the Studio 54 station (which...the more I listen to it, the gladder I am I decided not to pursue being a Studio 54-ish DJ a few years ago). But I also discovered Ozzy's Boneyard, and fell in love. Mr. Man doesn't understand the appeal, but when I need to get my anger on, that station is golden. Besides, who ever heard of a touchy-feely natural doctor yelling along to Black Sabbath on the way to work? (One of many stereotypes I tend to smash.)
But WOW. I turned on Liquid Metal recently, conveniently skipping over the hair metal station, and my mind was blown. That shit is HEAVY - a tidal wave of mud, with distorted low rumblings and howlings that pass for vocals, lightning-fast drumming, and guitars that will pummel you into submission - if they don't pulverize your eardrums first. Makes Ozzy's Boneyard sound quaint in comparison. In particular, I heard a band called Suicide Silence. Yeah. That band'll scare off all but the most diehard aggro adrenaline junkies. But they weren't the first I'd heard to indulge in pure noise. That honor goes to a band with a name so crude and obscene, I'll just abbreviate it - as most people do - as A.C. Some of my favorite, uh..."songs" from them: "Flower Shop Guy," "Stayin' Alive (Oi! Version)," and "I'm Still Standing." (They do their fair share of covers, but compress them into blocks of sludge, usually with a healthy slab of humor to leaven the proceedings.) Thanks go to my college roommate for introducing me to them back in the land of pastor's kids and good Lu-the-ran folk.
Back to my "they really have everything on there" statement: on second thought, maybe not. I'd LOVE to see an industrial station on there. Some of the bands I'd entertain:
In not-so-related news, doing shrugs with 185 lbs hanging off your shoulders is tough. Holy crap, but my traps are killing me today. Or they would be if I didn't indulge in ginger and turmeric in my morning smoothies. I'm convinced of it. As it is, it's just a dull ache.
Along with my fancy new wheels (which totally rock despite the MAIN HOLY COMPUTER DYING ON ME only one week in), I got the requisite free trial to Sirius. They really have everything on there, don't they? I've been bopping along to the '80s, enjoying the new wave station, occasionally indulging my classical jones, and very occasionally dipping into the Studio 54 station (which...the more I listen to it, the gladder I am I decided not to pursue being a Studio 54-ish DJ a few years ago). But I also discovered Ozzy's Boneyard, and fell in love. Mr. Man doesn't understand the appeal, but when I need to get my anger on, that station is golden. Besides, who ever heard of a touchy-feely natural doctor yelling along to Black Sabbath on the way to work? (One of many stereotypes I tend to smash.)
But WOW. I turned on Liquid Metal recently, conveniently skipping over the hair metal station, and my mind was blown. That shit is HEAVY - a tidal wave of mud, with distorted low rumblings and howlings that pass for vocals, lightning-fast drumming, and guitars that will pummel you into submission - if they don't pulverize your eardrums first. Makes Ozzy's Boneyard sound quaint in comparison. In particular, I heard a band called Suicide Silence. Yeah. That band'll scare off all but the most diehard aggro adrenaline junkies. But they weren't the first I'd heard to indulge in pure noise. That honor goes to a band with a name so crude and obscene, I'll just abbreviate it - as most people do - as A.C. Some of my favorite, uh..."songs" from them: "Flower Shop Guy," "Stayin' Alive (Oi! Version)," and "I'm Still Standing." (They do their fair share of covers, but compress them into blocks of sludge, usually with a healthy slab of humor to leaven the proceedings.) Thanks go to my college roommate for introducing me to them back in the land of pastor's kids and good Lu-the-ran folk.
Back to my "they really have everything on there" statement: on second thought, maybe not. I'd LOVE to see an industrial station on there. Some of the bands I'd entertain:
- Skinny Puppy
- NIN
- KMFDM
- Einsturzende Neubauten
- Cabaret Voltaire
- Pailhead
- Ministry (Twitch through Psalm 69)
- Throbbing Gristle
- Front 242
- Combichrist
- Rammstein
- VNV Nation
In not-so-related news, doing shrugs with 185 lbs hanging off your shoulders is tough. Holy crap, but my traps are killing me today. Or they would be if I didn't indulge in ginger and turmeric in my morning smoothies. I'm convinced of it. As it is, it's just a dull ache.
Monday, January 7, 2013
Shower spray? Yup.
Not to get all Pinterest-y and shit on all y'alls, but...well, I'm gonna do it.
In our household, it's mainly my job to take care of the areas of the house that are more water-prone (kitchen, bathrooms, outside), and Mr. Man handles more of the non-water stuff (exception: laundry, for which I am eternally grateful). This means, among other things, scrubbing the shower down every so often until I can spray water on the glass walls and see it cascade down clearly. No sudden parting of the waters by soap scum or anything. That damned pink mildew crap has to be gone, too. I've been making the homemade soft scrub with lavender castile soap and baking soda (and as soon as I typed that, the Pinterest-averse cells in me just shuddered), like I've done for years, and the stuff works, no question. But the whole act of scrubbing gets old. I've been putting it off more and more lately, and the shower has looked worse all the time.
So shortly before Christmas, I found this page on Pinterest, and gave the spray-on shower cleaner a shot. WOW. This shit really works. And no joke, I haven't been more excited about anything else since the new year started. I'm ALL about anything that makes housework easier.
I haven't seen the cascading water like I'd like yet, but these glass walls are clearing dramatically. And mildew HATES this stuff. Easy to make, and pretty green, too. (I've always been leery of the shower sprays sold commercially that don't list ingredients.)
Only downsides: I have no idea how the writer can claim that the bottle lasts 7 weeks, unless she's taking a shower in a stall the size of a postage stamp only every week or two. I refill mine about every 7-10 days. Then again, I'm going to town on this shower. Also, I'm making it extra strong (more vinegar).
As I typed this, Mr. Man came in and regaled me about his recent adventures entering the bathroom after I sprayed the stuff on and getting hit by a tidal wave of vinegar fumes. So if you're averse to vinegar, you may want to defer this job. But for me, a simple spray-down after each shower beats scrubbing soap scum any day. Besides, that's what fans are for.
Pinterest does have its place. As do its detractors. Bless.
In our household, it's mainly my job to take care of the areas of the house that are more water-prone (kitchen, bathrooms, outside), and Mr. Man handles more of the non-water stuff (exception: laundry, for which I am eternally grateful). This means, among other things, scrubbing the shower down every so often until I can spray water on the glass walls and see it cascade down clearly. No sudden parting of the waters by soap scum or anything. That damned pink mildew crap has to be gone, too. I've been making the homemade soft scrub with lavender castile soap and baking soda (and as soon as I typed that, the Pinterest-averse cells in me just shuddered), like I've done for years, and the stuff works, no question. But the whole act of scrubbing gets old. I've been putting it off more and more lately, and the shower has looked worse all the time.
So shortly before Christmas, I found this page on Pinterest, and gave the spray-on shower cleaner a shot. WOW. This shit really works. And no joke, I haven't been more excited about anything else since the new year started. I'm ALL about anything that makes housework easier.
I haven't seen the cascading water like I'd like yet, but these glass walls are clearing dramatically. And mildew HATES this stuff. Easy to make, and pretty green, too. (I've always been leery of the shower sprays sold commercially that don't list ingredients.)
Only downsides: I have no idea how the writer can claim that the bottle lasts 7 weeks, unless she's taking a shower in a stall the size of a postage stamp only every week or two. I refill mine about every 7-10 days. Then again, I'm going to town on this shower. Also, I'm making it extra strong (more vinegar).
As I typed this, Mr. Man came in and regaled me about his recent adventures entering the bathroom after I sprayed the stuff on and getting hit by a tidal wave of vinegar fumes. So if you're averse to vinegar, you may want to defer this job. But for me, a simple spray-down after each shower beats scrubbing soap scum any day. Besides, that's what fans are for.
Pinterest does have its place. As do its detractors. Bless.
Labels:
good advices,
good good things,
it's all about me
Saturday, December 22, 2012
Oh, yeah...no apocalypse. *yawn*
Things have kinda switched around here since a post I made a few years back about what makes Christmas...well, Christmas. The new stuff:
1. Love, Actually - Sappy, sappy, and trite. Love stories, all done in that lovable British accent. (Those Brits, so quaint...talking about love to each other while filming porn scenes together. And so charming! Flying to the US on a hunch to try to score chicks because Yankee chicks are such suckers for British accents! Well, um...yeah. Guilty as charged.) Also, I honestly think I would consider switching teams for Keira Knightley in this movie...she is so insanely adorable and effervescent and beautiful. But it'd be all off if Andrew Lincoln (the insanely gorgeous guy with a pulverizing crush on her) showed up, since I got a pulverizing crush on him when I first saw him. And finally, Emma Thompson and Alan Rickman. Oh, and some awesome music. And Hugh Grant in the only role of his I've ever been able to tolerate. And Liam Neeson as the coolest, most supportive dad in the world for...oh, just see it already. You'll love it. Even if you don't. You still will.
2. The Sound of Music - Speaking of sappy and trite. And overplayed. And sickly saccharine. And you know, I don't care. I've always loved this movie, and always will. I do keep it to one, maybe two showings a year, but Christmas is always a must.
3. Egg nog. Some things never change. Especially if you find a local dairy that makes egg nog. OMG but delicious. I've been drinking it by the quartful lately. Yes...that good. (Oh, and I don't bother with any rum or bourbon or whiskey or amaretto in it. Ruins its lovely smoothness.)
4. Cooking. Of course. After about four years, I think I've finally perfected making meringues, using a decorating tube and all. Peppermint and chocolate (with some flavoring...cinnamon or orange, usually) are the perennial ones. But then there's the fudge. The spritz cookies I tried this year that turned out great...all 7 dozen or so of 'em. The orange butterscotch oatmeal cookies. And I'm sure I'm missing one here. Oh yeah...my faves from years ago: the corn flake marshmallow wreaths, with cinnamon dot holly berries. I may have to make those next year, too. (I haven't even touched on the chocolate mousse pie or creme brulee...but I already brought those up.)
5. Ru Paul - Ho Ho Ho - This kinda straddles the line between quaint and fun. Recommended, even if only for "All I Want For Christmas" (...is my liposuction...and my cheek implant, and my chin implant, and let's see...my butt should be risen.) Ru's vamping is kinda amusing, too. But it does tend to get old after a spin or two.
6. Skiing - Well, we'll see. Mr. Man and I are headed up to the mountains with the whole clan. And lots of us ski. Problem is, I haven't skied in a few years, 'cause last year's snow was nonexistent. And since that time, I have been lifting lots of weights, but any sort of endurance training has been MIA. This came through loud and clear two years ago as I was skiing some blacks. Form was good, sure...but only for about four, maybe five turns at most before my thighs began burning fit to kill me. I was the last one down, usually, and people were asking me if it was my breathing that was a problem. Nope. Oh...and not only was this two years ago, this was also about 20 pounds ago. (It has not escaped my attention that some of that 20 pounds has found its way onto my calves, the likes of which are wedged into my boots so tight my feet may go numb.) So next week should be reeeally interesting. I'll report back...if I survive.
7. A new car! No, I'm not kidding. Brand-spankin' new. A Ford Fusion hybrid - a deep cobalt blue that's utterly gorgeous. Voice controls like you wouldn't believe. Navigation. Adaptive cruise control (so if there's a car in front of you, this car will automatically slow down). And an auto parallel-parking feature I cannot WAIT to try. Santa arrived early this year, and was extra generous. I'm not sure what I did to deserve it, other than drive my old, long-loved and lamented Subaru into the ground. The only downside goes along with skiing: we'll see how well its front-wheel drive self does up in the mountains, particularly with the snow that's supposed to start falling tomorrow and not let up much until Christmas.
1. Love, Actually - Sappy, sappy, and trite. Love stories, all done in that lovable British accent. (Those Brits, so quaint...talking about love to each other while filming porn scenes together. And so charming! Flying to the US on a hunch to try to score chicks because Yankee chicks are such suckers for British accents! Well, um...yeah. Guilty as charged.) Also, I honestly think I would consider switching teams for Keira Knightley in this movie...she is so insanely adorable and effervescent and beautiful. But it'd be all off if Andrew Lincoln (the insanely gorgeous guy with a pulverizing crush on her) showed up, since I got a pulverizing crush on him when I first saw him. And finally, Emma Thompson and Alan Rickman. Oh, and some awesome music. And Hugh Grant in the only role of his I've ever been able to tolerate. And Liam Neeson as the coolest, most supportive dad in the world for...oh, just see it already. You'll love it. Even if you don't. You still will.
2. The Sound of Music - Speaking of sappy and trite. And overplayed. And sickly saccharine. And you know, I don't care. I've always loved this movie, and always will. I do keep it to one, maybe two showings a year, but Christmas is always a must.
3. Egg nog. Some things never change. Especially if you find a local dairy that makes egg nog. OMG but delicious. I've been drinking it by the quartful lately. Yes...that good. (Oh, and I don't bother with any rum or bourbon or whiskey or amaretto in it. Ruins its lovely smoothness.)
4. Cooking. Of course. After about four years, I think I've finally perfected making meringues, using a decorating tube and all. Peppermint and chocolate (with some flavoring...cinnamon or orange, usually) are the perennial ones. But then there's the fudge. The spritz cookies I tried this year that turned out great...all 7 dozen or so of 'em. The orange butterscotch oatmeal cookies. And I'm sure I'm missing one here. Oh yeah...my faves from years ago: the corn flake marshmallow wreaths, with cinnamon dot holly berries. I may have to make those next year, too. (I haven't even touched on the chocolate mousse pie or creme brulee...but I already brought those up.)
5. Ru Paul - Ho Ho Ho - This kinda straddles the line between quaint and fun. Recommended, even if only for "All I Want For Christmas" (...is my liposuction...and my cheek implant, and my chin implant, and let's see...my butt should be risen.) Ru's vamping is kinda amusing, too. But it does tend to get old after a spin or two.
6. Skiing - Well, we'll see. Mr. Man and I are headed up to the mountains with the whole clan. And lots of us ski. Problem is, I haven't skied in a few years, 'cause last year's snow was nonexistent. And since that time, I have been lifting lots of weights, but any sort of endurance training has been MIA. This came through loud and clear two years ago as I was skiing some blacks. Form was good, sure...but only for about four, maybe five turns at most before my thighs began burning fit to kill me. I was the last one down, usually, and people were asking me if it was my breathing that was a problem. Nope. Oh...and not only was this two years ago, this was also about 20 pounds ago. (It has not escaped my attention that some of that 20 pounds has found its way onto my calves, the likes of which are wedged into my boots so tight my feet may go numb.) So next week should be reeeally interesting. I'll report back...if I survive.
7. A new car! No, I'm not kidding. Brand-spankin' new. A Ford Fusion hybrid - a deep cobalt blue that's utterly gorgeous. Voice controls like you wouldn't believe. Navigation. Adaptive cruise control (so if there's a car in front of you, this car will automatically slow down). And an auto parallel-parking feature I cannot WAIT to try. Santa arrived early this year, and was extra generous. I'm not sure what I did to deserve it, other than drive my old, long-loved and lamented Subaru into the ground. The only downside goes along with skiing: we'll see how well its front-wheel drive self does up in the mountains, particularly with the snow that's supposed to start falling tomorrow and not let up much until Christmas.
Friday, November 30, 2012
Because Twitter is too pithy.
Quick update for my millions of minions. In Kona. Gorgeous. Starbucks for my legal speed before a workout, but gee, it's nice to have some time to myself. So I'm lingering.
Mean Girls, the movie. Major score for Tina Fey. Awesome script. No surprise there. The big surprise: Lindsay Lohan? Like eight years ago? I say this with all sincerity and nary a hint of sarcasm or snark: TOTES ADORBS. Like, the most perfect rendition of the cute, guileless SoCal teen girl since Alicia Silverstone in that remake of Emma. Oh, how the mighty have fallen. I haz a sad for LiLo.
Established: a beautiful tropical island paradise simply isn't enough without good surf. I don't demand much. 3-5' is perfect...maybe 4-6' if I really want to get wild. But the waves this week have been dead flat, nonexistent. Normally, you'd see me chomping at the bit to get to the beach. But not this vacay. Hence why I'm here at the Death Star, on terra firm. I will have to plan for more in the future.
Damn, but clothes sizes vary wildly! Maybe obvious to those who are more conscious of such matters, but until recently, I figured a large is a large is a large. Now I put on an XL (because you can't contain these growing muscles...and let's be honest...this expanding midsection), and one fits loosely, while the next hugs the curves just right, and the next hugs a bit too tight for comfort. And because of my growth this past year, I've had to donate generously to Goodwill. Oh well.
Mean Girls, the movie. Major score for Tina Fey. Awesome script. No surprise there. The big surprise: Lindsay Lohan? Like eight years ago? I say this with all sincerity and nary a hint of sarcasm or snark: TOTES ADORBS. Like, the most perfect rendition of the cute, guileless SoCal teen girl since Alicia Silverstone in that remake of Emma. Oh, how the mighty have fallen. I haz a sad for LiLo.
Established: a beautiful tropical island paradise simply isn't enough without good surf. I don't demand much. 3-5' is perfect...maybe 4-6' if I really want to get wild. But the waves this week have been dead flat, nonexistent. Normally, you'd see me chomping at the bit to get to the beach. But not this vacay. Hence why I'm here at the Death Star, on terra firm. I will have to plan for more in the future.
Damn, but clothes sizes vary wildly! Maybe obvious to those who are more conscious of such matters, but until recently, I figured a large is a large is a large. Now I put on an XL (because you can't contain these growing muscles...and let's be honest...this expanding midsection), and one fits loosely, while the next hugs the curves just right, and the next hugs a bit too tight for comfort. And because of my growth this past year, I've had to donate generously to Goodwill. Oh well.
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