The Disco Box

2001 was a banner year for me. I had broken up with my ex that January, and moved out a month later into a studio off of NW 21st Street in Portland. The ensuing six months was the best time of my life up to that point. So that spring, as a present to myself, I strolled down to the local music store and picked up this hunk of fun.

I rediscovered it a few days ago, and have been listening to it nonstop since. Maybe it's that summer has FINALLY, irrevocably arrived. Maybe it's that Pride is this weekend. Whatever...something in me is celebrating and aching for sweet release of some sort.

And this four-disc box set delivers. Uneven in places, especially during the last disc. And as you'd imagine, 80 tunes spread out over only four CDs does not lend itself easily to extended mixes - the way you'd hear them in the clubs. But if you want to hear some of the most hedonistic music ever created, condensed down to radio-friendly bite-sized chews, you owe it to yourself to listen to a few of these gems. A few of my all-time faves:

Born to Be Alive - Patrick Hernandez: My absolute favorite of everything here, and that's major praise. The title says it all: kinda corny and self-evident (yeah, you're born, you're alive, duh-hickey), but damn, defiant ecstasy has seldom been so catchy and exciting.

Rock the Boat - The Hues Corporation: I hadn't heard this one ever before 2001. No real reason to like it other than it's catchy, it swings, it's got a good beat, you can dance to it...I'd give it a 88, Dick.

Young Hearts Run Free - Candi Staton: Man, something about the horns in this song just do me in. Horns in disco in general, yes, but here they're just perfect, toe-curling. And then Ms. Staton uses her beautiful but weary voice to tell the story of the man who left her and her young baby to fend for themselves. Irresistible but heartbreaking.

Turn the Beat Around - Vicki Sue Robinson: Crazy, sassy and classy. Sung with whiplash intensity.

Get Up And Boogie - Silver Connection: Stupid, stupid fun. Makes me want to lace up my roller skates.

Boogie Nights - Heatwave: Another song I just like, just 'cause. It's underplayed and deserves a new audience.

I Feel Love - Donna Summer: Bow down to the ultimate queen of disco, bitches. But even more so, pay respects to HRH Giorgio Moroder. His throbbing synthesizer here filled a million discotheques and inspired countless DJs. Techno and its myriad offshoots (for better or worse) wouldn't exist without this one.

The rest of Disc 2 - I can't list them all. This disc is golden.

Y.M.C.A. - Village People: I know...this song's too obvious. Still, it cracks me up that this homage to clandestine M2M fun at the local gym is still a perennial favorite at weddings. Besides, I heard this one recently at a club here in town, and it worked the crowd into a froth even more than "I Gotta Feeling."

Knock on Wood - Amii Stewart: Tribal, before tribal was even considered a concept. (Trying not to use the word "fierce," it's so overused, but it really does apply here.) And the video is classic '70s kitsch.

Good Times - Chic: This one comes right after "Born to be Alive." It's a dangerous pairing...by the end of these two, you're bounding out of your skin with unspeakable joy. Need I bring up the immortal bass line?

Lost in Music - Sister Sledge: I love "We Are Family," which is also here. But man, talk about your statements of purpose. "Responsibility to me is a tragedy...I won't give up my music - not me, not now, no way, no how!" Cue me falling in love.

Funkytown - Lipps, Inc.: So fun. And I miss those Star Wars-like synthesized voices. SO 1980, but so timeless.

Cruisin' the Streets - The Boystown Gang: Not much as a piece of music. But I gotta give it up for a band that ain't the Village People that name-checks gay meccas and waxes rhapsodical about finding...not a love interest, but a hunky guy and your next conquest, boys. The shorter version is here; I desperately want to find the extended version, with its VERY explicit lyrics.

It's Raining Men - The Weather Girls: Of course. One of the greatest gay anthems of all time. But by this point, the term disco is being diluted quite a bit - this is more straightforward pop than disco.

And now, for the few clunkers that just don't work for me.

Honeybee - Gloria Gaynor: If you can make it past the first 3 seconds, you're stronger than me. How annoying can a honeybee's (imitated) buzz be on record? Check it out...but you probably won't be back.

In the Bush - Musique: A bevy of oversexed women panting "Push, push in the bush. Do you like it? Do you like it like this?" I generally have no problem with sex in songs, but this is just me: I don't care to think about vajayjay in any of my music, disco or otherwise.

Last Night A DJ Saved My Life - Indeep: What a brillant title. What a great premise. Such potential for a kick-ass song. And this dud falls SO flat. A plodding beat and a lame, lame rap by the DJ make me want to flush this down the drain. (Cue - I kid not - a toilet flushing. Because that's the sound sensation that's sweeping the nation, right?) Also: not disco.

Other quibbles: Far too little Donna Summer, no Bee Gees (!?), no Earth, Wind and Fire. They could have fleshed out the set with more of these artists and thrown some of the non-disco stuff out toward the end. And extended mixes would have been fun, perhaps even segued one into the next. And saddest of all...it's out of print. Still, you can buy it if you search around, and the prices are pretty comparable to what it was originally sold for.

This set makes me wonder if there's any demand out there for an old-time disco-era DJ, and also if there's still time for me to hone my craft. I loved doing the college radio DJ thing, but to be able to play songs end to end - with no breaks and no commercials - and to be in control of a party's mood just gives me the best kind of chills. And I ain't a fan of the soulless machinelike overwrought beat playing in the clubs nowadays.

Bacon, too...but that's too obvious.

Or: Foods that make my life worth living.

Cinnamon. Like coffee for Seattleites. I'm pretty certain that without cinnamon, I might shrivel and become a shadow of myself. Cinnamon and chocolate. Cinnamon and honey wrapped in a tortilla. Cinnamon rolls. Cinnamon crumb donuts. Cinnamon and yogurt. Cinnamon and smoothies. Cinnamon and black beans. Cinnamon and peaches. Cinnamon and apples. My infatuation may very well protect me from ever getting diabetes.

Orange and vanilla. When you combine these two and consume, magical things begin to happen. I fondly remember a joyride in southern Minnesota as a college kid, wherein I purchased and ate a whole box of Creamsicles. Well, almost. I was kind enough to give a few bites to one friend, and let a second one eat a whole one. But the other 10 1/2 were all mine, and slid down my gullet like honey. That was my dinner, and I felt great afterward. It's all been downhill from there. (See also: Stewart's orange cream soda, orange/vanilla soft serve in ice cream cones, ice cream floats with vanilla ice cream and mandarin orange Slice..and yes, it HAS to be mandarin orange Slice. Accept no substitutes.)

Carbonara. Here's my theory. Some glutton with cast-iron arteries decided that alfredo sauce just wasn't decadent and unhealthy enough. A parmesan cream sauce only goes so far, amirite? So said glutton decided to add more butter, cream, fatty pork (pancetta, guanciale, bacon...take your pick), egg yolks (and yolks only, because the egg whites were just too...I dunno...South Beach omelet-esque?), and voila! But then the health food mavens screamed bloody murder. So M. Glutton threw in a few peas or caramelized onions to appease them. Good GOD-amighty, eat some of this, and you're as good as comatose for the night.

Borsch(t). I'm not kidding. But first: I grew up with You Can't Do That on Television on Nickelodeon. Remember that disgusting chef who always put boogers and loogies in the burgers? Apparently he also made borsch; the kids asked him why it was called that, and he joked that it was what everyone did when they ate it (cue kids charmingly puking at the table). But then I went to Russia and discovered that this much-maligned soup could be SO heavenly. The key? An ingredient that I've yet to find over here: smetana. Loosely translated, it's sour cream, but sour cream just falls apart and curdles in borsch. Smetana (accent on the second syll-AH-ble, please) is like thin yogurt in consistency, has a smoother taste, and mixes perfectly with borsch, turning it a delightful pink. Oh, and lots of dill, please. Lack of these two ingredients will render this soup inedible to me. By the by, spelled correctly with or without the "t." In Russian, it's spelled without the "t," while Yiddish adds it.

Coconut. And you probably don't like it. That's fine. More for me. I'll happily get sick on macaroons, add coconut milk to smoothies and cereal (with rice milk), frappefy it with ice, orange juice, and vanilla (see above) for a heavenly mock-orange julius, slurp hot Thai coconut milk soup, follow it with coconut curry chicken, and snarf down gargantuan slices of coconut cream pie (that are over 1/2 whipped cream).

Pho. The Vietnamese have given us this humble beef-and-rice noodle soup to nurture us through frigid, snow-bound days. You get a huge bowl of the stuff, bring your nose down to the bowl and inhale the lime, beef broth, and basil combination as your glasses steam up. Smile with the deepest of gratitude for something so pleasing. Add some Sriracha, and slurp away. Comfort food that blows chicken soup out of the water.(Although it kinda makes you wonder: why such a hot soup from such a hot country? Wouldn't it seem more appropriate for, say, Norwegians to come up with something like this to warm you up in the winter?)

Khachapuri, khinkali, and Khvanchkara. Don't sweat the pronunciation. Three Georgian (as in Caucasian) foods that are just heaven on earth, and that's meant more literally than you'd think. Georgians like to say that God traveled around the world, distributing food to each region. God decided to keep the best for him/herself, but underestimated how high the Caucasus mountains were. God tripped and fell, and the best food fell upon Georgia. After enjoying a few Georgian feasts while in Russia, I totally get it. Georgians know how to party and EAT like there's no tomorrow, and Georgian food as a whole is the best I have ever had.
Khachapuri is a simple light baked bread with melted cheese as an appetizer, served hot. Khinkali are luscious, juicy, almost buttery meat dumplings. And Khvanchkara is some of the sweetest and fruitiest red wine you've ever had, just this side of wine coolers. (Also recommended: Kindzmarauli, if you can't tolerate the really sweet stuff.)

Random thoughts...

Meanderings through the synaptic clefts of yours truly on this fine late spring day...

- "I'm Not In Love" (I just have the song in my head, not the sentiment.)

- This bee kinda sucked, no? Major props to Anamika...she done well...but as a whole, the scene this year reeked of unfairness. For once, I'm glad I wasn't a part of it.

- So, really...what AM I gonna be when I grow up? 'Cause this stint here isn't the right fit, and at 35, I should really get to figuring it out already.

- Totally digging my new rebounder. Fun stuff, and I feel all sorts of body parts moving and flexing that I didn't know could before.

- When can I go into the supermarket and buy what I need with my good looks? (Heh. Thanks, Allen.)

- This makes me happy. (Again, thanks, Allen.)

- This also makes me happy.

Cool things about the 1989 National Spelling Bee

Here's Kavya Shivashankar, last year's very deserving winner, modestly rejoicing after clinching "Laodicean." But don't let her composure fool you. That's almost certainly the best moment of her life...up to that point, at least. Most other people's reactions in the auditorium were more like her parents in the background.



Anyhow, this year's bee is coming up. Finals on Friday evening at 8:00; catch the details here.

I already wrote at length about the bee last year. (And aptly enough, I'm posting this 21 years to the day after I won Nationals. Not intentional, actually.) So indulge my solipsistic side. What made 1989 for me? (Aside from the obvious, of course.)

- The Capitol Hilton. No cooler hotel EVER. Well, at least until the bee moved in 1996 to the Grand Hyatt Washington. Wait...no. This one was still the coolest, if only for two things. The competition was held on the 2nd floor above ground, and not three claustrophobia-inducing floors below terra firm. Also...

- Trader Vic's, part 1. Probably where I nurtured my nascent tiki fetish, and definitely where I indulged my love of pina coladas. (Virgin at the time, folks, virgin! I was only 14! Geez...)

- Trader Vic's, part 2. Much to the consternation of my fellow spellers, I was not present at the post-banquet spellers-only party. The last thing I wanted to do was while away the evening doing nothing but sign autographs. I felt I'd earned the right to do whatever I pleased that night. So once the banquet was over, I turned to my pal and fellow speller Joel, and said, "Let's get outta here and go to Trader Vic's." Thus began one of the greatest evenings of my life, wherein Joel and I just talked about all things bee-related, and then some. Major bonding, the type that happens rarely in a lifetime, at best. And years later, we're still in touch. (The Trader Vic's didn't enjoy the same fate; when I returned in 1995, I was crushed to find it was gone.)

- Questionable songs, part 1. To be specific, Pink Floyd's "On The Turning Away." Meh, okay version from Momentary Lapse of Reason. But the version I had going through my head was from Delicate Sound of Thunder - exponentially better than the original. This one was with me ALL DAY - literally, from the second I woke up until I nailed that final "r." I even ran it through my head so that I spelled the last letter at the moment the final verse finished and the grand outro began. Video of me at that time shows me deep in thought. Well, kinda. I felt confident I had the bee in the bag, but I was just playing the song in my head, waiting for it to get where it needed to, and I knew the moment couldn't be rushed. Milking it, milking it...

- (Really) Questionable songs, part 2. I can't believe I actually had "Wind Beneath My Wings" running through my head nonstop from shortly after I won for a few days afterward. Actually brought tears to my eyes once or twice. TOTALLY ashamed to admit this.

- (Really, REALLY) Questionable songs, part 3. Of all the cracktastic CDs I could have gotten with my prize money, I chose those two toe-tapping classics: the Batman soundtrack by Prince and American Dream by CSNY. (Sold within a year after purchase, folks.) And for some reason, "Got It Made" ended up being my expression of elation in the weeks following June 1st. Kind of a light sound, but a bummer of a song. Only lyric that really applied: "Glad that you got it made...you are the only one I've ever seen do what you done."

- Superstitions. Like the idea that if I saw my reflection at any time while I was onstage, the next word would have been my last. And in such a mirrored, chandeliered place like the Presidential Ballroom, this could have been WAY easy. But I never saw my reflection anywhere on the second day.

- #218. Out of 222 spellers. MAJOR stroke of good luck. Why? Back then, there was no "tied for 15th place" with 33 other spellers who got out in the same round as you. If you were the first speller to go down, you got 48th place. If you were the last, you got 15th. (The powers that be have since corrected this policy.) Not to mention that if you were at the end, psychologically, you had a good feel for how the round was going. If you were the first speller in a round, getting that first word sometimes felt like being plunged into ice cold water.

- Getting lei'd. Huge banquet the night after the bee. The speller from Hawaii somehow found me a lei and presented it to me that night. Cooler than cool. It looked great, smelled wonderful...how could I put it aside? I happily wore it all night.

- River Phoenix. No less an authority than the Washington Post branded me a River Phoenix look-alike. And the Post is renowned for writing among the best bee articles anywhere. If the Post says it, it must be so.

- The Chattanooga Times. For writing a feature article about "darkly handsome Ojas Tejani," the Chattanooga rep and the 2nd place finisher, while totally branding me the bad guy. Seriously, it was cool. I knew the press rep for the Times at the time...she was sassy and fun, so it was a great inside joke. I'm sure Tennesseeans appreciated it, too.

- Spoliator. Duh.

"I feel like an Asian Branch Davidian."

Lots of cringeworthy moments from tonight's Glee, people.

But first, a disclaimer: Ya see, I do love me some Glee. It's practically written into how gay men are programmed circa 2010. I've seen some of the butchest, most masculine men start gushing about Glee, and suddenly the yards of taffeta come spilling out of their mouths. Every episode has a wild, "cheer spontaneously" moment. But every episode, without fail, also has a moment where a part of me dies inside. But tonight's extravaganza was...uh...I think I spit up in my mouth more than a little. To wit:

- Finn. In a bright red shower curtain floor-length dress and red glitter cat eyes, looking for all the world like a reject from the Hall of Justice. Because that's the best way he can think of to express his ultimate theatricality and save poor Kurt from imminent brutality by a couple of chunky football thugs. GAWD. Even Zan and Jayna and their pet monkey were cringing. (Freaky coincidence: the pet monkey's name is Gleek. Fact!) Just so you know, my ideal of theatricality would be Hugh Jackman, in any role he's ever done. Shirtless, preferably.

- Finn, pt. 2. Every time he yelled out the word "faggy" at Kurt.

- Rachel. Singing "Poker Face" accompanied only by piano with her newfound mom. Because between the two of them and their kaleidoscopic knowledge of decades of worthy Broadway tunes, the one song that really sums up their feelings for each other is a fucking Lady Gaga song released just this past year. I wanted to crawl into a hole every time they both sang "puh-puh-puh-poker face."

- Puck. Singing "Beth" (which...wow...didn't realize it was such a pretty tune) to Quinn, then asking her afterward to name her/their baby Beth, and for him to be there for the baby's birth. Ennhh...squirm...

- Quinn. For agreeing to Puck's groveling. Also could NOT take her emotions seriously. I can't take anyone seriously who wears four-inch day-glo pink eyelash extensions and bats them with mock pathos.

- Kurt. For designing that hideous get-up that would have been his and Finn's new shared bedroom. Gay interior designers the nation over gasped and collapsed on their fainting couches in horror. And for actually having something he called a "privacy partition." Gag. And finally, for declaring said room a great mixture of masculine and feminine. There wasn't anything even remotely masculine in that place, except for Finn. Then Kurt's dad, who, I've just heard, has been nominated by God for the title of Best TV Dad Ever.

- Will Schuester. And for that matter, the writers. For making a Lady Gaga-inspired show. (No Gaga fan, I.) Redeeming quality? There were only two Gaga songs. Other redeeming quality? Balanced out by two Kiss songs.

Sorry, Glee. Normally you're great, but aside from some brilliant one-liners (like this post's title), tonight was just skwudge.

Guilty pleasures galore!

MMMBop - Hanson: I flew into Minneapolis one early June afternoon in 1997, got picked up by a guy I had just started dating, and this hummer came on the radio. I called it: at once, it was going to be the most loved, most hated, and most overplayed song of the summer. But apparently I was really, really late on the draw. It was already #1 in the nation, and would be for nearly two months. Deservedly so. Unabashed, unadulterated bubblegum fun, fun, fun, and one great antidote for the angst and flannel of the early-mid 1990s. "MMMBop" singlehandedly paved the way for the resurgence of the post-Nirvana boy bands and a myriad of guilty pleasures, including...

I Want It That Way - Backstreet Boys: I wanted to hate this one. I could NEVER get behind New Kids on the Block (let alone that lamefuck NKOTB reunion), and I figgered this was just another incarnation thereof. But sitting in Portland traffic one late spring afternoon a few years later (and damn, PDX traffic SUCKS considering it ain't all that huge a city), this breezy tune hit my speakers, and I've seldom been hooked so hard. Honestly, everything that's right and good and perfect and dreamy about boy bands is right here, and if you don't like this song, you probably will never get the whole boy band thang. My infatuation hit epic levels one day in 2007 when I drove to and from work playing ONLY this song. Replay, replay, replay. It was the aural equivalent of a large orange/vanilla soft-serve ice cream cone (I have the immortal Pat's Twist-o-Cream from the late '70s to thank for that memory. RIP.) And I ain't the only one who loved this one. Rolling Stone apparently placed this beauty ahead of "Good Vibrations" in a list of the best summer songs of all time. Much consternation and wailing ensued from the boomers, but for sheer enjoyment, I agree - "I Want It That Way" blows even that classic out of the water.

When You Close Your Eyes - Night Ranger: I won't deny the NR lovers their "Sister Christian," which is epic. But this one is truly my favorite. The video did it for me. Learning about love in the back of a Chevrolet? Phallic guitar wank-o-ramas? Drowning your sorrows at the bar and imagining your lost love is standing right there? This one might have out-Desert Mooned "Desert Moon," even, for sheer cliches. As anyone who watched MTV back in 1983 will attest, these guys ROCKED. There was a lot of competition to be the biggest big hair band back then (Ratt, Def Leppard...hell, Ozzy himself), and maybe Night Ranger didn't quite make it to the top of the heap, but they put up a damned good fight. (If you like both those songs, you HAVE to get Night Ranger's Greatest Hits.)

Baby Got Back - Sir Mix-A-Lot: No real comment on this song. I just wanted a reason to type "callipygian" in a proper context. Callipygian, callipygian, callipygian.

Big Star - Third/Sister Lovers

Pop quiz: You're the leader of a critically revered band, and fans drive for hours, sometimes days, to see your band perform. But the first two albums you release flop, and aside from these few trickling fans, NO ONE knows you. Your band is falling apart member by member due to internal strife, and you still have a contractual agreement with your record company. Whaddaya do?

If your name is Alex Chilton, apparently you indulge in self-destruction. You get drunk and wasted a lot, show up at the studio while still wasted, slur your singing, sometimes play like crap, and fuck with the producers who are trying to salvage what chaos you have wrought, so that your third album is all but unapproachable - and certainly unmarketable. But your efforts at self-sabotage are foiled by a few things. You write some really, really good music that withstands the barrage of shit you run it through. And on some songs, you actually care that what you create is worthwhile, even beautiful at times...and it shows.

Some of the best music ever created - especially great pop music - sounds effortless, perfect, totally meant to be. Third/Sister Lovers is practically the antithesis of that concept. This sounds like it took a Sisyphean effort to create, and you can hear all the evidence of heads banging against walls that won't budge, of unbelievable exhaustion, dejection and pain, and of lives (and a band) irretrievably falling apart. Somehow, the music survived, in some cases barely intact. Somehow, it made it past the producers. Somehow, a company convinced its shareholders or board members that the album was worth releasing to the public...four years after the fact. And somehow, this album found its way into some young musicians' hands - a few of whom ended up being very influential, popular, and willing to drop the album's name. (For example: Peter Buck of R.E.M. once compared it to well-known classics like Revolver, Highway 61 Revisited, and Exile on Main Street.)

Is Third/Sister Lovers really the classic that so many admirers make it out to be? I don't think so. It's much more inconsistent than its two predecessors. It's definitely easier to appreciate than like. Third/Sister Lovers is NOT where one ought to start with Big Star. It takes a long time to get into a lot of this stuff, and it's best to go at it on a song-by-song basis, rather than digesting the whole album at one sitting. Here's some of the best stuff:

1) "Kanga Roo" - One of the tougher songs on the album to get into, but man, what a mindblower. It sounds like it's a warped transmission radioed in from some underwater ice planet, with random misfiring cowbells, way-overdubbed drums, and space-age guitar feedback. Then suddenly, it all resolves in a gorgeous crystalline minor chord in the choruses, with Alex soaring vocally through the stratosphere. "Kanga Roo" may be the best song on here...and it's been covered gobs of times since.

2) "Jesus Christ" - Here's the closest you'll get to a straight-ahead pop song on here. Begins with a warped piano ditty that sounds like an overplayed cassette tape that's about to spit its contents out of the tape player. But the song is solid guitar pop, almost a relief to listen to amidst the wreckage of the rest of the album. And interestingly enough, it's a completely sincere paean to Jesus Christ.

3) "Holocaust" - My God...this is the sound of ultimate depression. Alex can barely slur "Your eyes are almost dead, can't get out of bed, and you can't sleep," as a funereal piano plods behind him and ghosts moan in the background. Otherworldly, it's so sad.

4) "For You" - The only original song that Alex didn't pen for this album, written and sung instead by Jody Stephens, the drummer. Romantic chamber pop heaven, utterly beautiful.

5-7) "Blue Moon", "Nightime", "Take Care" - And the chamber pop heaven continues, with "Nightime" taking the honors for being the most scintillatingly gorgeous and having the best lyrics. (Love at first sight was never expressed better than "Caught a glance in your eyes and fell through the skies." Meanwhile, Chilton's unburnished negativity rears its head later: "Get me out of here, get me out of here. I hate it here, get me out of here.") "Take Care" is an anguished farewell, ending the (original) album on the most uncertain of chords played by fragile gossamer strings, completely unresolved.

8) "Downs" - How deranged did Big Star get? How willing was the rest of the band to follow Alex down the rabbit hole? Witness this mess of piano, steel drums, out-of-tune...uh..."singing," and nearly indecipherable lyrics. No surprise, this one was not on the original album. Still, it's kinda fun.

Hmm. Maybe that was the big deal about this album. It was a crystal-clear vision of how fucked-up a band could get and still turn out great music. On that level, Third/Sister Lovers is an unqualified success. It's just hard to plod through, that's all.

And here ended (at least, for a few decades) one of the most frustrating and sad stories in pop history. As I said before, this band proved that life could be a shitstorm of unfair. But man, they turned out some great stuff in the meantime, and their influence on popular music lies up there with the Beatles, Bob Dylan, the Velvet Underground, and Led Zeppelin. With just three brilliant, essential albums.

Big Star - Radio City

The story so far: former Box Tops singer Alex Chilton travels back to his hometown of Memphis after unsuccessfully giving being a solo musician in New York a try. He gets together with a few bandmates, and they all end up releasing one of the great unsung pop masterpieces of all time: #1 Record. The creative tension between the mercurial genius Chilton and melodic perfectionist Chris Bell is largely to credit for the album's (critical) success. Unfortunately, unlike Lennon and McCartney, who were able to sustain this tension and feed off each other for years, it got to be too much. Bell left the band once #1 Record was released, leaving Chilton on his own to front Big Star.

Bell left his beautiful imprint on Big Star's sound, and it's sad to ponder for a bit what could have been. But as it turns out, Chilton and the rest of Big Star could do just fine without that fourth member, thank you. Unrestrained by Bell's meticulous attention to detail, Radio City makes for a harder, rawer, looser, and more exhilarating ride. Its sparse production (the virtual antithesis of Spector's "wall of sound") reveals frequent holes of sound that presage punk by a few years; it sounds like a live album in spots. And it's just as successful as its predecessor.

It's a bit easier to choose the highlights of Radio City; after all, with this wildness comes some inconsistency. So here we go:

1) "O My Soul" - The clarion call to get wild, get drunk, and kick up your heels, and the perfect way to start this album. Loose as loose can be, but funky...and that rhythm section is unstoppable.

2) "What's Going Ahn" - Chilton's penchant for weird song titles continues here in this achingly sad tune. "I like love, but I don't know/All these girls, they come and go," he moans, resigned to be unsuccessful at love. And the drums sound like they're ready to fall apart at any moment. The most despondent that Big Star ever got...well, until the next album, at least.

3) "Mod Lang" - Then they turn around and deliver this glamalicious number, with Chilton howling almost inaudibly in the background. Fun, fun stuff.

4) "She's A Mover" - Sounds like the best outtake from Revolver the Beatles never released. So Big Star picked it up, dusted it off, tambourine and all, and went to work. Not so much a song as a three minute-long relentless groove.

5) "September Gurls" - Yes, the one critics the world over adore. I first heard this one and couldn't get past the clanging guitars. But the song is still power-pop heaven, and the most straight-ahead song here.

6) "You Get What You Deserve" - Chilton's bitter side comes out hard here in a pretty little ditty that recalls CCR's "Have You Ever Seen The Rain." Ends on an ominous single piano note.

And actually, that's something that really separates Chilton from so many other pop stars. He isn't afraid to express the negativity that permeates his psyche, and just about every song on Radio City has a dark edge to it. "Life is White" begins with the kiss-off: "Don't like to see your face/Don't like to hear you talk at all." (Apparently, that song was all about Chris Bell - kinda makes sense why he left, don't it?) Even the lightness of "September Gurls" is brought down by the line, "I loved you...well, never mind. I've been crying all the time." Ouch! Self-pity was never disguised so well or expressed so succinctly.

So there you have it. Two of the greatest pop/rock albums ever released. And no one knew about it back in the early '70s. And now you can get them both on one CD. Do it. Now.

Big Star - #1 Record

Holy shee-it. What a find I have made. And this is truly rare treasure that most people haven't even heard of. It's Big Star, people. The group that proves that life can be a shitstorm of unfair. These guys, were there any justice, should have been the ones who took the torch from the Beatles and run with it, enjoying wild success all through the '70s. Critically, no question. I mean, read some of these random review excerpts:

"It's safe to say there would have been no modern pop movement without Big Star."

"Anyone not in possession of Big Star's three landmark studio albums...should stop reading this now and go purchase them."

"Radio City and #1 Record brim over with punchy songs that served as the blueprint for almost every power pop band to follow, and the much darker Third/Sister Lovers is a depressive masterpiece."

I read the first excerpt in a review for Third/Sister Lovers back in the early 1990s, and was dumbfounded. I had never heard of any such group before. And these guys were a major fount from which the likes of R.E.M., the Replacements, Happy Mondays, the dBs, the Bangles, Teenage Fanclub, the Posies, the Soup Dragons, and Matthew Sweet all came? (For starters.) Wow. Gotta pick this one up. (At the time, Third/Sister Lovers was a major disappointment for me. To be continued later.)

One of the group's founders and the resident genius, Alex Chilton, died on St. Patrick's Day this year. His death prodded me to get their first two albums, both on one CD. And OH MY GOD what was I thinking not getting them sooner?

#1 Record is a brilliant, perfect power-pop masterpiece, brimming with optimism, excitement, wistfulness, puppy love, and just plain fun. Do you dig '70s Aerosmith? Alice Cooper? Badfinger? Todd Rundgren? Love? Moby Grape? The Byrds? The soundtrack to Dazed and Confused? Or even the other bands I've already mentioned? Go out and get this album NOW.

Just like with the Descendents' Somery, I can't narrow down which song is the ultimate pinnacle on #1 Record. But let me see if I can capture the high points.

1) "Feel" - Subtle strumming and an eerie, plangent twang suddenly explode into fireworks of scream-singing and wild drumming that don't let up for the entire song. These guys are going for broke. One hellaciously beautiful way to start off an album.

2) "The Ballad of El Goodo" - Crappy song title. Beautiful, defiant Statement Of Purpose. Required listening for really earnest and idealistic kids who are determined to live life on their own terms, goddamnit.

3) "In The Street" - Big Star's only claim to fame over the past decade. That '70s Show swiped the song for the opening credits. Extra points for the hilarious line "Wish we had a joint so bad."

4) "Watch The Sunrise" - Gorgeous, gorgeous meditative 12-string showcase by Chilton. And yes, you can just imagine the sun rise as the song is playing.

5) "When My Baby's Beside Me" - Kinda lame beginning, but man, I defy you not to clap along to the chorus. Addictive.

6) "ST 100/6" - Indecipherable song title. Not even a minute long. Slightly psychedelic harmonies over some simple guitar chords. Complete in its incompleteness, perfect in its imperfection.

So why didn't these guys get a break? Apparently, Ardent Records (or maybe it was Stax...the details are kinda sketchy), the company in charge of printing and distribution really, really fell down on the job. People heard them and wanted to get their hands on #1 Record...it just wasn't available anywhere. Another, much lesser reason was that people in the early '70s were just done with the Beatles and the Byrds and all those other poppy, fun bands that were so last decade. I don't buy that excuse. Music like this is just too awesome and timeless to pass up.

Random quickie song reviews

Ready for the '80s - Village People: Aside from the fact that it's virtually indistinguishable from any other Village People song, it's perhaps one of the saddest songs ever performed - unintentionally so. Just read the lyrics. (And fergawdsakes forgive the atrocious punctuation.) Ain't it so happy, peppy, and bursting with love and optimism for the future? Well, check this out. I doubt any Village People fan was ready for what the '80s were about to bring.

Gentleman Who Fell - Milla: That's model Milla Jovovich, y'all, at the ripe age of 16. With a gloriously untrained voice that swoops and whispers with trepidation to a man she can't catch. And yes, she wrote this (at least, in part), part of her only album, The Divine Comedy. A gorgeous, almost baroque arrangement that is essential listening for Jane Siberry and Kate Bush aficionados. And speaking of Jane Siberry...

Calling All Angels - Jane Siberry and k.d. lang: The best song off the Until The End Of The World soundtrack, itself an early '90s pre-Nirvana, pre-emo depressive classic. A slow funereal drum, pedal steel, and spare guitar plucking back these two chanteuses aching for aid and relief from above, "cause we're not sure how this goes." Who can't relate?

God Bless America - Kate Smith: There's good reason Kate Smith will always be linked with this song. You can just hear her heart swell with pride and unbridled patriotism, and it's impossible not to get caught up in it. She recorded many worthy versions, but this particular beauty was captured at Carnegie Hall in 1963, back when our nation was still brimming with optimism for the future and reveling in its post-war glory, mere days before JFK's assassination. It's a snapshot of simpler times, when it was still cool to be patriotic and have unshakeable faith that our country was on the right track. It's almost heartwrenching now to consider how far we've strayed from that moment. There was once a movement to make this song the national anthem. If they ever bring it back up, I'm in.

Dive In The Pool - Barry Harris and Pepper Mashay: Originally came out on the first Queer as Folk soundtrack back in 2001, and was therefore deemed worthy to pollute gay danceclubs nationwide for years thereafter. It tries to sound tribal, but fails miserably; how pathetic is it that Baltimora and Gloria Estefan sound more authentic? Includes the requisite black diva (with one of the worst drag names ever), here lamely howling at all the boys to dive in the pool and get soaking wet. Hoarksome. I defy you to listen to more than 30 seconds of this shite without banging your head against the wall, or at least shutting it off.